Menaka Devi

The simple-minded Rajat (Barua) loves neighbour Jayanti (Menaka Devi). He is advised on how to court her by his streetsmart cousin Bishwanath (Sanyal) and Bishwanath's friend Samir (Bannerjee). Bishwanath and Samir try to get Rajat's miserly guardian Bagalcharan (Choudhury) to loan them money so that Samir can make a 'European-style art film'. The guardian is admitted to the clinic of a doctor Gajanan where he falls into the clutches of two professional crooks Natoraj (Indu Mukherjee) and Supta (Molina Devi). Supta wants Rajat and they try to kidnap her...

Melodrama about lineage and property questions. Nikhilesh (Barua) loves heiress Indira (Jamuna). A poor orphan girl, Radha (Menaka Devi), arrives claiming to be Indira's stepsister and therefore part inheritor of the family estate. Indira agrees to share her inheritance but then Radha makes a play for Nikhilesh. Ultimately, Radha turns out to be the real and sole heir. Love proves to be stronger than material possession as Indira and Nikhilesh get married and Radha finds happiness with Ratan, a man she had known and loved during her days of poverty. As each character returns to the class of his/her birth, the message hammered home is a warning to people never to transcend their social status.

Shudhu Ekti Bachhar is a romantic comedy that is based on a comical situation which finds the female protagonist having to marry a complete stranger according to her father's will. The stranger she is to be married is a funny boy whom she is at cross ends with. The story goes on with this baseline, that they agree to stay married for a year and the comedy rolls on there forth. There are many quarrels, misunderstandings and childlike fights, which all add to the comical content of the movie. All characters add life to the story with hilarious punch-lines and comical episodes. And in the end the two main leads falling in love with each other and living happily ever after.

A tenant attacks the villainous landlord Jawaharlal Choudhry, injures his son Priyalal and abducts his daughter-in-law Sandhya. Sandhya escapes unharmed to her relative, the engineer Praksh, but her father-in-law refuses to take her back, believing her to be 'damaged goods'. Sheltered by the kindly Promode, her husband eventually accepts her back although she feels torn between affection for her savior and her marital obligations.

Abhigyan

Uttarayan