Juan Sasiaín

Martin is dealing with an existential crisis and he's tired of his Venezuelan girlfriend. He goes back to his childhood home and starts falling back in love with his childhood friend, who is now a single mom.

Bruno is thirty years old and has a girlfriend, Juliana, with whom he is about to celebrate a decade of love.He loves her, but feels that she no longer captivates him. She wants to be a mother. He doesn't know if he wants to take that step. He fears it could be a mistake, perhaps Juliana is not the woman of his life or perhaps it is too soon. To make matters worse, he is attracted to Lara, his new sexy and young employee. Further confused, Bruno only finds comfort in the company of his father and his old bass. This confusion pushes Bruno to reunite with an old love: music.

“Prepotencia de trabajo” is a film about people who make films, made by people who make them, by people who teach how to make them and by people who are learning how to make them. And it's also a movie about his movies, about how those people learned and how he managed to make them. And it is also a film about the Mar del Plata Festival as seen by these people, about the possibilities it offers them, and also about the UBA's Image and Sound Design career, where all these filmmakers came from.