Valeria Lois

A hot summer. A private district with an enormous park. An abandoned plot of land in the suburbs and an uncontrollable wave of smoke spark uncertainty and chaos.

Buenos Aires, 1977. In the midst of the dictatorship, a man receives information of the whereabouts or two people who are being searched by the military. Now he has the chance to save them, although that means risking his own life.

Two teenage outcasts, who resent their schoolmates and teachers, resolve to spread panic in school through a series of anonymous vandalism acts. Little by little, the game loses its innocent approach and the boys find themselves absorbed in a dangerous spiral of violence that seems to have no limits.

Jessica attends a yoga class that may expand her universe in an extreme way.

While a rumor about the presence of sharks in a small beach town distracts residents, 14-year-old Rosina begins to feel an instinct to shorten the distance between her body and Joselo's.

It’s saturday night and Pilar just wants to stay alone at home without being bother. But when the doorbell rings, her plans will soon change.

Eva is Paraguayan immigrant and works as a maid in the home of a wealthy family that has two little children. Her own children are far away, in the care of their grandmother. Eva does not have enough resources to support them and her reality is far from improving.

A journalist states in her weekly column the reasons why she does not want to have any children, defending her position on life and motherhood. But she will have to rethink her beliefs when she meets her new neighbor and his little daughter.

Sebastian, a man in his thirties, works a series of temporary jobs and he embraces love at every opportunity. He transforms, through a series of short encounters, as the world flirts with possible apocalypse.

A woman and her 14-year-old daughter, who is a sleepwalker, in the midst of awakening. A marriage on the edges of a silenced crisis. A ritualistic, matriarchal, and endogamous family. Grandmother, siblings, cousins. A new summer, sweat, alcohol, traditions. Naked bodies, changing bodies, and the gazes upon those emerging bodies. A new New Year's celebration in the old historic family mansion is the trap for the sleepwalkers to finally awaken.

Screenwriter Javier Gross denies his past by making up fictional stories. Lucia, his wife, tired of his fiction, starts an affair. But not even the confession of infidelity touches Gross, who is caught up in the story of a script that is writing, whose idea is so powerful that dominates it completely. Lucia, after seeing that Gross is unshakable, decides to leave. But Gross wastes no time: the same day replaces Lucía by Laura. From day one, Gross confuses the names of women. Thus Laura is transformed into a second copy of the true love of Gross.

Stella and her mother Clota must travel from Junín, where they live, to the town of Costa Bonita, in Necochea, to see some apartments that Stella's father left her. This will become a nuisance for Stella, since her mother is someone difficult to deal with: she complains, she is afraid of everything, she says hurtful things and she keeps remembering the past. Paula Hernández's new film narrates the journey by bus of these two characters, a simple premise for a film almost always in tension as its two protagonists, brilliantly played by Valeria Lois and Rita Cortese. The only respite for poor Stella, and for the film itself, are conversations she has with Primo (Sergio Prina), one of the bus drivers, moments of calm amidst so much storm that, later on, will become literal.

After the attack on Charlie Hebdo's office in Paris, Ivan, the frivolous son of a prominent Argentine journalist, embarks on a journey pursuing different geopolitical events around the world.

Martín, a TV host of 42, has the urgent need of becoming a father. Leonardo, an agronomist of 45 and Martín’s partner for the past ten years, has doubts since he himself was adopted by his parents.

A 36-year-old meek woman realizes that there’s younger people trying to outpace her doing much less, so she makes a risky change by removing her filter.

Shortly after his separation, César forms a rock band with his teenage sons. Soon enough, the family project will reveal itself unsustainable. "Family Album" is a coming of age film comedy about the difficult bond between parents and children and the world of amateur rock bands.

A summer vacation in the 70s. Lalo and Bruno are teenagers doing nothing on days full of nothing. But on a hot and humid afternoon, and without asking for permission, Lisa arrives smashing more than the letargy of the town. Thirty years later Lisa comes again to interfere in the lives of these two adults.

Late night. Ana is sleeping alone in a double bed. Her cellphone rings. Dazed, she turns on the bedside lamp to shake off her sleep. Reluctanly, she gets out of bed and, at 2 AM on one of those nights when you can see the vapor of your breath, she showers, gets dressed, puts on her makeup, walks to the avenue and takes a cab to the other side of town, so she can go deep into something more than the darkness of the night.

Chao Fan

Clara and Alejandra await a person that never arrives. Between the ups and downs of discovering the reason for the wait, we are plunged into the universe of their relationship, blurring the boundaries between fiction and reality and getting carried away by the theatricality of everyday life.

Gastón, an agronomist from Buenos Aires, settles in a thriving rural area to dedicate himself to his activity as a crop advisor. The struggle for his 16-year-old daughter, Vera, and his wife to adapt to the new life puts him in front of a dilemma that shakes the foundations of his work. What seemed like a new beginning becomes a present full of contradictions.

Mensaje en una botella

In each episode, which takes place independently of each other, commissioners Jiménez (Luis Luque) and Laurenzi (Darío Grandinetti) must solve different police cases that will be presented to them and will be a challenge for them, for which they will receive the help of the editor literary Daniel Hernández (Nicolás Cabré) who is looking to write a book about crimes.

The series proposes a new look at the human bonds of the new century. Each of the chapters develops a unique story. They are focused on the conflicts that their characters face in the face of the resistance of a society that often does not fully accept new realities, a product of the transformations that are currently being experienced.

Based on the true story of one of the most notorious crimes in Argentina, the series intimately follows all those involved in the case, and those who are still seeking an answer to the question: Who killed María Marta?

Santos y pecadores

The Diamantes are a clasic mid class family from Buenos Aires. There's Miguel (Suiar), his wife Elisa (Diaz) and their three children: Lara (19yo), Tobi (18) and Mia (15). Their lives are quiet and peaceful, however everything is going to change when they meet Fabiana (Bertotti).

Otros pecados

“Chalet” is a series of stories that take place entirely in a living room. Written and directed by Malena Pichot.

The members of a diverse vigilante group formed to boost the police's image are put in jeopardy when they stumble upon an unexpected drug deal.