Paul Sanchez IV

Thomas Harrison is determined to start his own alternative band after the suicide of Kurt Cobain—it's an obsession that blinds him to what's either the mental collapse, or the eruption of musical genius, of his little sister, Bridget. Bridget boldly rejects her brother's music, and the music of an entire generation of slackers, by taking on the persona of a gangsta' rapper.

Who is Taylor? That is the question filmmaker William Dickerson tries to answer in this metafictional satire about a quirky and charismatic lifestreamer. "Taylor" is an open book who magnetically draws others into his world where public and private are one and the same. But as Dickerson pushes Taylor to delve deeper into his traumatic past, the story takes an unexpectedly dangerous turn.

A comic frenzy filled with sex, music, science fiction, and all combinations thereof... as well as a dildo-festooned Moby. In an adult video store on Christmas Eve, we join Joe (an owner terrified of his own merchandise), Adam (an employee spouting indignation about everything), and Tina (whose unabashed promiscuity lends itself well to the locale).