Judy Clark

A madcap comedy about a kid sister who tries to steal her older sister's boyfriend. Her plan involves joining forces with a burglar to rob the unfortunate suitor's home.

A group of ranchers, led by Colonel Arnold and Ward Gordon, are drilling an oil well but getting fierce opposition from an unknown gang of outlaws. Eastern promoter J.B."Dude" Dawson, is behind the gang as he is out to prevent the co-op members from striking oil before their lease expires, so he can secure the property for his company. When Ward, with the help of Arnold and his daughter Sally, arranges for a new driller to be brought in, the replacement man is killed and one of Dawson's men takes his place.

This is an entry in Universal's "Name Band Musical" series of shorts. Welk and the band open with a medley including "Josephine", Stumbling", "Honey" and "Running Wild" and vocalist Betty Jane Pettit sings "No Can Do." Kenny Stevens does "Alone" while comedienne-singer Judy Clark offers her versions of "Playmates" and "I'm Nobody's Baby." The dance team of Jon and Inga Bergy is also in the mix.

Famed aviator Bruce Gentry is working with scientist Andrew Benson, setting out to uncover the origin of a deadly secret weapon---an electronically controlled flying disc which can be directed at moving or stationary targets. The disc was master-minded by an enemy agent known only as "The Recorder" because...he speaks entirely via recordings. Aided by rancher Frank Farrell and his sister Juanita "Nita" Hodges, Gentry consistently foils "The Recorders" schemes, which are carried out by "The Recorder's" henchmen, Krendon, Allen and Chandler, including an attack on the Panama Canal.

During the Whitney High School student government election, a rich man’s son tries to pay his way into office with promises of new athletic uniforms. His desperate competitors decide to stage a series of song and dance spectacles to try to garner votes.

Theatrical agent Waldo Main is inducted into the army, and turns his now clientless agency over to his secretary Dottie Duncan. Dottie decides to organize an all-girl orchestra to fill the void caused by so many orchestra members being called to service due to WWII, and joins struggling singers/songwriters Sally Richards and Sue Ford in this endeavor. Dottie's screwball schemes to get engagements for the group often lead to disaster.

The Bowery Boys come to the rescue when a corrupt taxi company puts the squeeze on several independent drivers.

Socialite Cathy Abbott is working in the chorus of a Broadway show instead of being enrolled at an exclusive girl's school as her parents think. When the show closes, she brings two of her chorus friends home with her. In addition to trying to make her friends acceptable to the snooty society of which her family is part, she is also being blackmailed by a rival.

Two show-business wannabees get their big chance to show off their big-time act and talents in a nightclub,and bomb. Othet acts come on---endlessly---and do well, but the kids will be back.

Unusually elaborate for a PRC film, Minstrel Man is a lively musical drama built around the talents of veteran vaudevillian Benny Fields. The star is cast as Dixie Boy Johnson, who rises from the ranks of minstrel shows to become a top Broadway attraction. On the opening night of his greatest stage triumph, Dixie Boy's wife dies in childbirth. Profoundly shaken, he walks out of the show, leaving the baby to be raised by his showbiz pals Mae and Lasses White (Gladys George, Roscoe Karns). The kid grows up to be an attractive young woman named Caroline (Judy Clark), who follows in her dad's footsteps by billing herself as-that's right-Dixie Girl Johnson. This leads to a tearful reunion between Caroline and the father she'd long assumed to be dead. If Minstrel Man seems at times to be a dress rehearsal for Columbia's The Jolson Story (1946), it shouldn't surprising: the PRC film was directed by Joseph H. Lewis, who went on to helm Jolson Story's musical highlights.

A young woman's suicide attempt is stopped by an old man passing by. The two fall in love -- but the relationship between the young girl and old man is threatened when a blackmailer from her past shows up.

George Sanders stars in this engrossing melodrama about a very domineering sister who holds a tight grip on her brother -- especially when he shows signs of falling in love.

In this musical showcase, two aspiring stars attempt to wow a pair of talent scouts with their stellar abilities. Songs include "My Heart Isn't in It" (Jack Lawrence), "It's Love, Love, Love" (Mack David, Joan Whitney, Alex Kramer), "When They Ask about You" (Sammy Stept), "Jumpin' at the Jubilee" (Ben Carter, Mayes Marshall), "Taking Care of You" (Lou Brown, Harry Akst), "Where Am I Without You?" (Don Raye, Gene De Paul), "Two Hearts in the Dark" (Dave Franklin), "Somewhere This Side of Heaven," "Ezekiel Saw the Wheel."

Linda Wadsworth rebels against her millionaire grandfather, J. H. Wadsworth, and runs away from home. Unknown to Mr. Wadsworth, she gets a job at one of his many five-and-ten-cents stores as a clerk.

Returning G.I. Curt Norton (Ken Curtis), owner of a radio station, finds his father Amos (Guy Kibbee) has allowed the station to run down and has squandered Curt's money in bad investments in war-surplus material. Eddie Jackson (Robert Kellard), who owns the rival station, is also attracted to Curt's sweetheart Jean White (Joan Barton). When Curt and the Hoosier Hotshots successfully stage an auction to raise money, Eddie hires Mimi Carston (Claudia Drake) to claim that Curt married her in France.

Caroline Bird, the crotchety and stingy owner of Bird Milk Products, is not amused when her employees at the Dairyville factory, the oldest plant in the company, broadcast a special radio program in honor of her birthday. Employees Lulubelle, Scotty and Vera Vague, fed up with the terrible working conditions at Dairyville, cut into the broadcast, and Lulubelle asserts that Caroline is a "big hunk of cheese." Lane, the factory manager, cannot find the culprit, and so Caroline goes with her secretary, Dale Evans, to Dairyville.

Musical comedy directed by Edward F. Cline

Following WWII, ex-G.I. Stan opened up a drive-in restaurant. His girlfriend, Joanie, is one of the car hops. They want to get married someday, but the less-than-stellar business the restaurant takes in puts a hold on that plan. One day, Joanie's ne’er-do-well brother Frank blows into town with a money-making scheme. She's against it, but Stan - an inveterate gambler - finds the promise of riches too seductive to resist…

To get the three needed business men to visit the Stevens mine, Roy stages a ride with the Vacaros and has them as honored guests. Seeing a chance to make a lot of money, gangster Harmon joins the ride and then has his men kidnap the three. Having filmed a fake holdup earlier, he uses the film to convince the Sheriff that Roy and the boys were the Kidnapers.

Musical comedy star Jimmy Leighter wants to get away from show biz and his leading lady Winnie Clark, so he joins the Army. There he gets the order to put on a show, Winnie Clark appears in a camp show, hears about his task and offers him his help. He thinks, she does it for her publicity only, so he doesn't want to know anything about this, till he finds out, that she has no such intentions.

An alcoholic spends all his time spying on his neighbor, waiting for the right moment to kill him.