Tom Laughlin

Minneapolis, Minnesota, U.S.

Biography

From Wikipedia, the free encyclopedia. Thomas Robert Laughlin Jr. (August 10, 1931 – December 12, 2013) was an American actor, director, screenwriter, author, educator, and activist. Laughlin was best known for his series of Billy Jack films. He was married to actress Delores Taylor from 1954 until his death. Taylor co-produced and acted in all four Billy Jack films. His unique promotion of The Trial of Billy Jack (TV trailers during national news and an "opening day" nationwide release) was a major influence on the way films are marketed. In the early 1960s, Laughlin put his film career on hiatus to start a Montessori preschool in Santa Monica, California; it became the largest school of its kind in the United States. In his later years, he sought the office of President of the United States in 1992, 2004, and 2008. He was involved in psychology and domestic abuse counseling, writing several books on Jungian psychology and developing theories on the causes of cancer.

Movies

Matinee Theater is an American anthology series that aired on NBC during the Golden Age of Television, from 1955 to 1958. The series, which ran daily in the afternoon, was frequently live. It was produced by Albert McCleery, Darrell Ross, George Cahan and Frank Price with executive producer George Lowther. McCleery had previously produced the live series Cameo Theatre which introduced to television the concept of theater-in-the-round, TV plays staged with minimal sets. Jim Buckley of the Pewter Plough Playhouse recalled: When Al McCleery got back to the States, he originated a most ambitious theatrical TV series for NBC called Matinee Theater: to televise five different stage plays per week live, airing around noon in order to promote color TV to the American housewife as she labored over her ironing. Al was the producer. He hired five directors and five art directors. Richard Bennett, one of our first early presidents of the Pewter Plough Corporation, was one of the directors and I was one of the art directors and, as soon as we were through televising one play, we had lunch and then met to plan next week’s show. That was over 50 years ago, and I’m trying to think; I believe the TV art director is his own set decorator —yes, of course! It had to be, since one of McCleery’s chief claims to favor with the producers was his elimination of the setting per se and simply decorating the scene with a minimum of props. It took a bit of ingenuity.

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Matinee Theater
1955