Tutie Kirana

A widow living alone develops an affectionate bond with young man hired by her children to assist her at home and offer her companionship.

Yusuf and his cousin Ambar spend a wild night out just before heading out of town for a relative’s wedding. When the pair passes out overnight and Ambar misses her flight, the two head off on a three-day road trip. Little do they realize those three days will have a lasting impact on their lives.

Wisnu has to witness the brutal slaughter of his family and soon thereafter an evil spirit starts haunting him.

As pupils at a school for the visually impaired, best friends Diana and Fitri are living full and complicated lives in spite of their sensory limits.

Indonesian activist Soe Hok Gie experiences a political awakening during the tumultuous regimes of Soeharto and Soekarno.

After Tini catches her boyfriend Narno trying to seduce her sister Tina and ends their relationship, she mysteriously dies from a snakebite. Narno's mother then visits a shaman to place a curse on one of Tina's potential suitors. As all of that is going on, a mysterious murderer is lurking around bumping off other members of both Tina and Narno's families.

Laura and Marsha are best friends since high school. Although their characteristics are way too different: Laura is a single mother, living with her mother since her husband left her without explanation, while Marsha, is a free-spirited girl who never worries about anything. One day, Marsha plans a trip to Europe, Laura refuses at first, but finally agrees to join on one condition: that Marsha follows her set of rules. Their friendship is tested when they argue and realize they lived with a truth left behind.

Ca Bau Kan relates the saga of Giok Lan, an Indonesian woman living in the Netherlands, who returns to Indonesia in search of her roots. Her mother, Tinung, a village woman, was known as ‘Ca Bau Kan’ – a word used to describe a courtesan who entertained Chinese men in colonial Indonesia. Giok Lan’s father, Tan Peng Liang (Ferry Salim), was an immigrant Chinese merchant who had a very successful tobacco business in Batavia. She becomes deeply involved with him, and causes a scandal when he has Tinung move in with his family. The film is set between 1930 and 1950, and unfolds the story of Giok Lan and her parents: Tinung and Tan Peng Liang where Tan is eventually ruined when his rivals begin to attack him. This is owing to the significant contrast in socio-economic and cultural background, as the love of these last two characters face a series of difficulties.

The story of a woman named Likas who gets special accomplishments and successes, as she holds fast to pledge to the three most important people in her life: her father Ngantari, her brother Njohre, and her husband Djamin. In Karo, North Sumatra, there is a custom: when a woman has to work, then the disgrace belongs to the family. However, Likas still wants to move forward. Therefore she opposes the custom. She attends school because she wants to be a teacher. She looses her mother because of stress. With the help of her brother, she could become a teacher.

After accidently killing her temperamental father in order to save her mom from his abuse, Viki flees from Medan to Jakarta with her autistic brother, Ara. To make ends meet in Jakarta, Viki poses as a transvestite and works as a striptease dancer. With no one to watch over her brother, Viki brings Ara every night to the club where she works and hide him in one corner of the room at the club. One day, Ara accidently witnesses an act of murder by Haryo, son of an official, and his friends. Realizing his crime action witness by Ara, Haryo and his friends chase Viki and Ara, determined to silene the two before they go to the police. For the sake of saving his brother’s life, Viki secretly flee from one place to another in order to escape Haryo and friends. Will Viki and Ara escape?

After a betrayal at work, a finance professional becomes an assistant to a bride shaman in order to salvage her only remaining property — and love life.

A devoted nun who cares for her elder sisters must choose between upholding her vows or pursuing her forbidden feelings for a fascinating pastor.

Satrio Hidayat really loves Citra, but as he has not stabilized yet, Citra marries Triawan Negara. Hence the two men become rivals and they declare their mutual enmity by trying to bring each other down in public. Their feud is passed on to their children.

Betina (Kinaryosih) is a milking girl at the milk base owned by Mamang Otig (Otig Pakis). Betina is a beautiful-looking girl and nice-bodied, no wonder the men in her village (the Village of Nowhere) admire her and even try to do things that are inappropriate for her. The female lives with her mother (Tutie Kirana), who has become rather crazy after her father (Zairin Zain) is taken away from her house.

Deni who is engaged to the perfect woman, has insecurities due to his lack of sexual experience and minimum size of his vital tools. His friends hire someone to help him overcome his lack of experience.

As a cosmetics company employee deals with insecurities about her body image, she considers a transformation for a chance at a promotion.

Agnes appears to be out of control. Her father is seldom at home while her stepmother is afraid of her. At school, she dares to confront teachers whom she considers as no good. A young teacher, Wing Ganda, tries to understand her and shows her how to use her talent. His effort is fruitful but Agnes falls in love with him. Wing tries to avoid her. When another young man attempts to approach Agnes, she makes a fool out of him. Agnes has to deal with the fact that she cannot conquer everything. Wing is unconquerable and her stepmother secretly cares about her very much. This was one of the more insightful teenage films that understood teenage psychology and was also optmistic in a realistic way.

Ira is the daughter of Pendi, a widowed pilot. She is lonely because her father travels often. This situation changes when Pendi meets the wife of his friend, a widow named Melani. After a while, Pendi and Melani get married. But the children of Melani do not like Ira. Finally, the conflict with the children is solved through a theatrical play by Ira, as the play’s story reflects the events that are happening in their home.

During a haunting visit with her family, a grieving wife tries to uncover the disturbing reasons behind her mother-in-law's deteriorating condition.

Antares and May, a couple from different ethnic groups, are separated during the May 1998 riots in Jakarta. While Antares is busy as a filmmaker documenting the historic moment, May is kidnapped and raped. May is also separated from her mother, who takes refuge in a hotel. In despair, May’s mother exchanges her house deeds for an airplane ticket to Malaysia with a lowly laundryman, Gandang. Ten years after, Antares finds May in Malaysia. She now has a child from a foreign reporter who saved her on that unfortunate day. The reunion reveals the tragic past of May and her mother.

A conversation that starts with music and email, then ends with possibilities that change the relationship between two people from a 'mother-daughter' relationship into a 'female-male' relationship.

Jamal is a son of a big businessman who falls in love with a high-class prostitute. But when Maria’s secret is discovered, his family throws her out, so Jamal leaves his parents and become a taxi driver.

Wamena is a businessman and widower who has a daughter, Narita. His secretary, Yuni, tries to marry Wamena and also tries to match Narita to Toni, who is actually Yuni’s boyfriend. Together, they plan to seize Wamena’s wealth. Alas, Narita already has a boyfriend, Arman, a poor young man. Yuni tries to manipulate the relationship by sending a fake wedding invitation. This causes Wamena a heart attack, which kills him. Narita is also against her father’s relationship with Yuni, so she storms out and leaves. Then Arman marries Narita and becomes the director of the company. Yuni and Toni resign from the company. Then Yuni tries to trick Arman by sending a pretty woman to seduce him and then takes a photo of them together. With this photo, she manages to trap Arman.

Legendary directors Wim Umboh and Sjumandjaja, decided to experiment by producing a script being written at the same time of the shooting. Mama is a complex story with two seemingly unrelated narrative threads. The first story revolves around Sanca and Anani. The second is about Ulli and Pandji, and in between the two stories is a third narrative, about Ulla, a religious prostitute and Ulli’s sister, and Suwaka.

Somad and Biang Terona are sent by their master at Krakatau martial arts school to look for the rebellious student, Bodin, who is Somad’s real father. Bodin manages to marry the wife of a landlord and takes over the wealth but he becomes a dictator. His son, Tirta, also manages to displace Surya as inheritor of Bodin’s wealth. Surya is the son of Tirta’s mother with her previous husband. Finally, Biang Terona defeats Bodin, and Somad reveals that Bodin is his father. The film ends with the eruption of the Krakatau Volcano.

Aqilla gave birth to a baby from a marriage that was not approved by Halimah, her mother. After Aqilla's husband dies in an accident, Halimah lies to Aqilla that her baby died at birth. Without Aqilla's knowledge, Halimah gave her grandson to a couple who had been married for a long time but did not have children, namely Arif and Yumna. The baby was named Baskara, which means: light. Baskara's presence at Arif and Yumna's family's house brings happiness to the whole house. Seven years later, Aqilla finds out that her son is still alive. She departed from her empty life and tried to get Baskara back.

Ria, the only daughter of the Hilman family and a student majoring in electronics, falls from an escalator. Pance, a trainee doctor who helps her, detects abnormalities in her. After a thorough health examination, it is learnt that she is suffering from a malignant blood cancer. Ria insists that her parents not be notified. She wants to give a child as a substitute to her parents. Pance is willing to do it. However, this event leads her parents to find out her real condition. Ria’s grandfather encourages the marriage. Ria faces her death with fortitude. Her son is born safely, while she herself cannot survive.

Six-year-old Lala has a masculine nature, as her father, Anton Wijaya, who wanted a boy. Mrs. Anton is extremely worried about her youngest child’s attitude and requests the help of child psychologist, Kak Seto. Lala’s unruly behavior often complicates everything. She even manages to put the relationship between Kak Seto and his girlfriend in jeopardy. Dina, Lala’s sister, admires Kak Seto who can be gentle with children. And when Dina is disappointed with Kak Seto, this triggers Anton Wijaya’s anger. He thinks that Kak Seto wants to ruin his family. Then Bujel, with his devil-may-care unconventional attitude, arrives to bring their problem into focus. This is the point when Lala’s problem can be solved. The film presents a nicely handled child psychology problem while criticising the psychologists at the same time.

Two high school students, Satria and Rani, have tasted the forbidden fruit of sex. But Rani’s father, a rich man, who is authoritarian and very proud; is against Satria, who is merely the son of a poor widow. He regretfully has to give permission for his only daughter, Rani, to marry Satria who has impregnated her. He allows this without any celebration and on condition that they will not be sharing a house, and that they will divorce after the baby is born. Everything changes when Rani gives birth to a pair of twins. Rani and Satria can be reunited.

Kalau Cinta Jangan Cengeng

Lailani was called to build a school and teach in a remote village in Larantuka, East Nusa Tenggara, the area where her husband, Banyu, was assigned.

A gifted artisan's journey of love and self-discovery unfolds as she defies tradition within Indonesia's clove cigarette industry in the 1960s.