Andrej Rozman

The aged rocker Igor works as a journalist and DJ at the "Radio Student" in Ljubljana. He notices that the janitor Miha works for the police, tapping the walls and observing the journalists who are critical of the regime. After a clash with his editor, Igor decides to leave for Greece by his old bike DKW from 1938, via Bosnia and Serbia. Young Rahela joins him on the trip. Traveling through Yugoslavia, Igor becomes involved in unexpected turmoil: Milosevic's "antibureaucratic revolution" starts in Serbia and Vojvodina.

An 86 year old lady escapes from nursing home, picks up two musicians in the process and they all drive off south to a new life in a Mercedes convertible.

Goran is a literary student who writes erotic stories to support himself is introduced to Carmen, who was born in extramarital relationship of an opera singer. Goran tries to get rid her of drugs and prostitution. Deeply depressed Carmen blames his mother for her own misery, which gets even worse after her death. A sense of guilt because of her mother's death leads Carmen to insanity.

Married to a wealthy meat dealer, Mojca (45) is worshiper of fine art and mother of two grown-up kids. Desperate for love and passion, she becomes an object of video installation which her ex-lover and now renown conceptual artist Milos is completing with a help of her daughter Nika. Mojca’s hunt for love becomes a wild journey for everyone involved in this film, including the crew shooting the film Installation of Love…

Two men, a radio consultant and social worker, take refuge in the kingdom of the marmot - an alpine hut, which becomes their small business.

A day in the life of Rudolf Nietsche, a man who has never even been able to secure a seat on the train, let alone his place in life; a man lacking that Z in his surname, a small yet crucial letter.

In the video works of Ema Kugler, mythology is inscribed in the rituals of everyday life, this time it is the theme of Hydra with many faces. It is illustrated by individual scenes with actors in leather costumes (the author's creations), which restrict their movement and thus already emphasize the separation of man from nature. The last trace of connection - the ritual relationship between man and bull, which is again based on human cruelty to animals - ends with blood, which on a symbolic level also pervades the whole image.