Giulia Gam

Weatherman from a TV network goes back to his hometown, Vale da Rocha, a place in Northeast Brazil, devastated by the drought. He is forced to face the geographic elements and his own memories.

A biography of spiritual medium and author Francisco Candido Xavier.

Clumsy old lady Dina Rocha lives with her son Marcelo. After a series of incidents at home, she moves to her house in Santa Teresa. She meets her friend Nonô and she pays a visit to her old friend. Her sons do not know where she is and they go to the hospitals and morgues. Coincidently there is the body of an old lady smashed by a truck and they believe that she is their mother. Meanwhile two smalltime thieves break in Nonô's house and keep the two old ladies locked in the bathroom. During the funeral of Dina Rocha, the dysfunctional families have a quarrel disputing their heritage.

"The Baron" wanted to commit the perfect heist involving 3 tons of money and no violence. For this he would need the right people willing to get 1 million dollars to take part in this job. Based on true events, in 2005, 168,000,000 Brazilian Real (almost 80,000,000 US dollars) were stolen from a Brazilian Central Bank (Federal Reserve), making it the biggest peace-time robbery in history. It was perhaps the most audacious bank heist ever.

Peter Mandrake, a North-American photojournalist becomes embroiled in South America's dangerous underworld of pimps, drug gangs and arms smugglers when he sets out to find the killer of a local call girl.

In a dystopian world, young people discover government secrets about the pandemic. While fighting oppression, they try to survive.

A coming of age story about a boy in RIo de Janeiro, Brazil who, after his father's death, finds out about his family and where he came from.

Luz, Câmera, 50 Anos: Dona Flor e Seus Dois Maridos - O Filme

Nos Tempos do Cinematógrapho

The meeting between the young Brazilian author Oswald de Andrade, 18 years old, and the famous American ballerina Isadora Duncan, 40 years old, as she traveled through Brazil.

In 1894, with a coup d'état, President Floriano Peixoto closed down The National Congress, soon reinstated with co-religionaries in key positions. In the south of Brazil, the Maragatos revolutionaries would not come to terms with this. They rebelled and marched to Rio de Janeiro to join Admiral Saldanha's troops and depose the President in an episode known today as the Federalist Revolution. The rebels fought bloody battles with Floriano soldiers during the march. Idelfonso Corrêa is a quiet, reserved citizen of humble origin who becomes the Baron of Serro Azul. His mature demeanor makes him a choice for mediator between both groups. Midst negotiations and difficulties to safeguard the family and his protegés, the Baron expands his domains, starts a newspaper, a bank, and exports herva-mate. With the battle over, his form of address, Baron, becomes synonymous with traitors.

Policarpo is a chauvinistic patriot, a major who tries to find solutions for Brazilian problems using only the resources of his own country. His visionary and idealistic temperament is behind his strange ideas about how to build a great nation.

On a Saturday morning, an advertising crew arrives at a decadent old building downtown São Paulo to shoot a TV commercial. And then everything goes wrong, beginning with a broken elevator

Collective film with five segments around the works and life of brazilian writer Oswald de Andrade.

Aurora

Oswaldo Cruz, o Médico do Brasil

A liberal interpretation of the book Galáxias, one of the most important works by the great contemporary Brazilian poet Haroldo de Campos, written between 1963 and 1976 and published in 1986. Bressane considers this work of poetry the Portuguese Finnegan's Wake. The video is a disorganized system of images: an exploration of colors, quotes and sudden inspirations created by the words. A sequence of epiphanies, rigorous in their images. The films cited act as cinematographic scenery, conferring a sense of drama to the movements of the actresses and the readings of the poems.

Story with some autobiographical touches taken from director's life.

The history of Brazilian popular music in the 20th Century, focusing specially on the life and works of intriguing singer Mário Reis, a loner who, with his special way of singing - whispering and softly saying the words - in a time when singers with potent voices ruled, was in a way a forerunner of Bossa Nova style.

Pobres Diabos No Paraíso

With death getting near, a retired officer remembers the most important passages in his life and his participation in historical events in Brazil, such as the Lieutenants' Movement, and the 1964 coup.

História de Amor

The story of one of the most important Brazilian heroes, Joaquim José da Silva Xavier, known as Tiradentes. He was the leader of a group who tried to proclaim Brazil's Independence from Portugal in 1789. But he was betrayed by one of his comrades and hanged.

Outras Estórias

The story of two couples - Xico and Olga, Tuca and Dina - through 20 years of friendship, from adolescent dreams to maturity frustrations. They meet in a small town in the State of São Paulo, but one of the couples decides to try their luck in the big city. As background, the political events in the 60's and 70's, and how they affect their lives.

In his film Rua Aperana 52 Júlio Bressane describes the invention of a landscape, the topology of a corner of Rio de Janeiro. The film consists of a series of photographs taken between 1909 and 1955 by, among others, Bressane's parents at and around the address used as a title. These are interlarded with scenes from films made between 1957 and 2005, bringing the total fictional time the film covers to almost a century; one hundred years in which the winding road featured in almost every shot structures the new landscape behind the Aperana, which means 'wrong road'. Rua Aperana 52 is autobiographical, as it is a landscape from Bressane's youth, but it is also not so; it is more a multi-subjective mythology of a place seen through all those films and photographs. Bressane refers to his editing as an intuitive form of thinking aimed at evoking moods which make the viewer the new witness of the fictional landscape. A fiction about a fiction,

A 50 year-old woman who analyses her past. She pictures herself when she was 20 years old and she re-creates the story of her life through a game of innumerous possibilities. What if she wouldn't have gone to that ball? What if... instead of meeting the man of her life, with whom she married and had kids, she would have called a girlfriend and they went to the theater? What would be her destiny? What would have happened? In the plot the present talks to the past. A young woman projects her future in a fascinating game between memories and desires.

The story, set in the 19th century, portrays the hypocritical bourgeoisie of the time. The eccentric Dr. Simão Bacamarte is a doctor who will develop his theories about the treatment of madness, knowledge acquired during his stay in Europe. The city is left at the mercy of this man who decides, at his own risk, to judge who were the madmen in the city and who were the sane...

The intense life of Ferreira Gullar, one of the most influential poets in Brazil, is revisited by his personal friend Silvio Tendler, based on his most acclaimed work: Poema Sujo. In addition to addressing other poems by Gullar, the documentary also includes the testimony of people who lived directly with the artist's work.

The 20 episode miniseries edited into a 141 minute TV film. The beautiful Flor marries Vadinho and soon finds out he's spending all their money on gambles and has mistresses all over the city. Vadinho suddenly dies while partying during Carnival, and Flor, left helpless and full of debts, ends up marrying Teodoro, who's the exact opposite of her late husband.

In six decades, Teatro Oficina has done more than revolutionize theatrical language in the country: the aesthetic influence of José Celso Martinez Corrêa's company extends from Tropicalism to the renewal of Brazilian audiovisual languages ​​from the 1960s onwards. The film revisits a story that it involves personalities such as Caetano Veloso, Glauber Rocha, Lina Bo Bardi, Chico Buarque and Zé do Caixão, brings together scenic art, ecology, architecture and sexuality, and mixes art and life in the search for a Brazilian based language.

In four stories inspired by humorous tales by Ariano Suassuna, each created based on phrases by the poet from Paraíba, we meet Helder, Fabiano, Pierce and Lorena, living different situations where, ironically, the lie is always the protagonist.

Donatela and Flora, two friends who became rivals. One of them committed a homicide and pretends to be innocent. There are two versions for the same story. Who, after all, is telling the truth? Donatela or Flora?

Florípedes, Dona Flor, a cooking teacher, loses her husband Vadinho, an incorrigible trickster, on Carnival Sunday. In deep mourning, tearful, she recalls the ups and downs of that relationship. But, as she is still young and beautiful, she attracts the attention of the very correct pharmacist Teodoro, with whom she marries.

Adaptations of 40 short stories of brazilian playwright Nelson Rodrigues, written between 1951 and 1961. The stories were considered scandalous at the time as Rodrigues used immoral characters and black humor to satirize the hypocrisy and repression in people's daily lives.

Adaptations of 40 short stories of brazilian playwright Nelson Rodrigues, written between 1951 and 1961. The stories were considered scandalous at the time as Rodrigues used immoral characters and black humor to satirize the hypocrisy and repression in people's daily lives.

Adaptations of 40 short stories of brazilian playwright Nelson Rodrigues, written between 1951 and 1961. The stories were considered scandalous at the time as Rodrigues used immoral characters and black humor to satirize the hypocrisy and repression in people's daily lives.

Adaptations of 40 short stories of brazilian playwright Nelson Rodrigues, written between 1951 and 1961. The stories were considered scandalous at the time as Rodrigues used immoral characters and black humor to satirize the hypocrisy and repression in people's daily lives.

Adaptations of 40 short stories of brazilian playwright Nelson Rodrigues, written between 1951 and 1961. The stories were considered scandalous at the time as Rodrigues used immoral characters and black humor to satirize the hypocrisy and repression in people's daily lives.

Adaptations of 40 short stories of brazilian playwright Nelson Rodrigues, written between 1951 and 1961. The stories were considered scandalous at the time as Rodrigues used immoral characters and black humor to satirize the hypocrisy and repression in people's daily lives.

Adaptations of 40 short stories of brazilian playwright Nelson Rodrigues, written between 1951 and 1961. The stories were considered scandalous at the time as Rodrigues used immoral characters and black humor to satirize the hypocrisy and repression in people's daily lives.

Adaptations of 40 short stories of brazilian playwright Nelson Rodrigues, written between 1951 and 1961. The stories were considered scandalous at the time as Rodrigues used immoral characters and black humor to satirize the hypocrisy and repression in people's daily lives.

A successful businesswoman in the music industry sees her life fall apart after a young and mysterious woman starts work as her secretary. The scheming girl is totally obsessed by the famous businesswoman and she tries to steal everything from her, including her career.

Rui and Vani, are a couple facing normal discussions, problems and situations such as infidelity and convivency problems, but they solve it with great humor.

The series surrounds the damaged relationship between a saxophonist and a woman who falls in love for a former boyfriend, whom she had left to marry him.

Bang Bang

Que Rei Sou Eu?

A Comédia da Vida Privada

Brazilian telenovela based on the 1985 telenovela of the same name.

After making a Faustian bargain with a vampire for fame, a regretful young singer must find a sacred, lost artifact that might revert the curse.

In the swing of the 70s, two women fight for the love of the same man without knowing their fates were already intertwined.

Follows the story of six young individuals who work hard to achieve their dreams and also dream of loving someone special and being loved as well. Amora, Bento and Fabio were raised at an orphanage at Capo Verde by Gilson and his wife, Selma. They each took their own path in life when Amora was adopted by actress Barbara Ellen, Fabio with a broke family in the countryside and Bento grew up to become a florist in a cooperative with Gilson, Selma and Giane, a childhood friend Who secretly has a crush on him. Amora becomes a famous model and media personality and socialite Who is brattish and vain, and Malú, her adoptive sister is a responsible, simple and down to earth University student who is unloved by Barbara Ellen who considers her a mistake.

Arriving in Lisbon from London, Basílio falls in love with his cousin Luísa, but he must go to Brazil, promising he will eventually marry her. As time goes by, he sends her a letter ending the relationship and she marries Jorge, an engineer. One of Jorge's rich aunts dies, leaving him a small fortune and her former maid Juliana. Juliana gets hold of love letters between Luísa and Basílio and starts to blackmail her employer.

Tecendo o Saber

Procura-se

Adaptations of 40 short stories of brazilian playwright Nelson Rodrigues, written between 1951 and 1961. The stories were considered scandalous at the time as Rodrigues used immoral characters and black humor to satirize the hypocrisy and repression in people's daily lives.

Adaptations of 40 short stories of brazilian playwright Nelson Rodrigues, written between 1951 and 1961. The stories were considered scandalous at the time as Rodrigues used immoral characters and black humor to satirize the hypocrisy and repression in people's daily lives.

Mandala

Amor Eterno Amor is a Brazilian telenovela produced by Rede Globo and exhibited in the schedule of 18 hours. Written by Elizabeth Jhin and directed by Roberta Richards, Fábio Strazzer, Luciana Oliveira Paulo Ghelli, Pedro Vasconcelos and Rogério Gomes, it was released on March 5, 2012, ending on September, 7 of the same year, replacing A Vida da Gente.

Fera Ferida

Retrato de Mulher

Brava Gente was a television series aired by TV Globo in Brazil between 2000 and 2003, initially as a special year-end. The program was adapted from stories and national stories, and plays by famous playwrights, screenwriters and signed by a number represented by several actors and actresses. The genres of the stories varied each week with the style of each director or author. Brava Gente in the stories ranged from comedies and dramas. In all 53 episodes were shown, broadcast on Tuesday nights.

After the breakthrough success of 'The Cariocas', the spin-off 'The Brazilians - The Women' embraces all the diversity of Brazil and its women. Powerful, fragile, funny, protective, beautiful, talented, insightful, and especially unique; they all have a certain charm. No matter what their birthplace, age, lifestyle or preference, these remarkable women have one thing in common: they are Brazilian. Brilliantly witty and entertaining, every independent episode provides an exclusive look at the life experiences of the women who inspire everyone.