Alen Liverić

"Long Dark Night" follows the life of the fictional character Iva Kolar: his experiences as a Croatian University student, his role as a Partisan fighting Hitler's troops during W.W. II, his involvement in his nation's post-war government, and his eventual downfall.

One accidental shot will intertwine the destinies of two young women - Anita, an inspector who gets on amazingly in professional and quite well in her private life and Petra, a young woman whose everyday life would surely be simpler if she did not have to take care of her alcoholic mother. The investigation on the accidental shot will intertwine their destinies at a moment when they both find that they are pregnant. A huge turning point in their lives, each in her own world and equally left on their own, these two women will, step by step, become close during the investigation.

In the autumn of 1991, a small group of Croatian soldiers go on patrol in an improvised armored vehicle. Soon after that they would get ambushed and their vehicle would get destroyed, in that situation they were forced to hide in a nearby house. Whilst stationed in that house they would get attacked by rebel Serbs, Serbian Special Forces and the JNA (Yugoslav People's Army, also reffered to as Yugoslavian National Army). Their resistance to the attackers would last 24 hours whilst their fellow combatants would attempt to try and get them out of there. The movie and story is based on true events which happened during the Croatian War of Independence.

Young girl encouraged by her own mother enters the cruel business world.

It is a movie about survive in war time (WW1 East front). In dark colors, with interesting characters, mixture of ash and sand, puzzle of stories, cynic, precise, harsh, bitter, Rubick cube of times and events.

20 years ago, Vesna moved her family to Zagreb, away from the events that almost destroyed their lives. However, an unexpected call will bring back the memory of a secret that she has been trying to hide all these years.

Ivan is a 36-year old ex-rock singer and a disillusioned war veteran who lost both legs in the recent Croatian Homeland War. His father, Izidor, was a well-known political prisoner in the former Yugoslavia, and is now standing as an independent candidate for the Croatian Parliament. Then a face from the past re-appears: an impoverished Serbian refugee called Simo, who has recently returned to the town. As an ex-communist official, Simo imprisoned Izidor decades ago. He knows certain facts about Izidor that could destroy his reputation and wreck his political campaign. Simo demands money, in return for his silence and he also has a secret rendezvous with Ivan's mother, Ana. Soon a long-buried secret surfaces once more - with huge repercussions for Ivan. He starts to provoke hard-line Croatians by singing Serbian nationalistic songs, daring them to kill him.

The doyen of national theater, Dado Telebuh, goes through psychological crisis after being dumped by his lover Ivan Starcevic, who got involved in a romantic relationship with Jurica Pavicic. Alone in his apartment, Dado tries to find comfort in all-night telephone conversations via SOS service, who provide him with psychological support in the form of nun called Sanja Separovic. For his characters, much disputed Croatian director Jakov Sedlar used real names of the film critics and public figures who disdained his cinematic work.

The year is 2037. Europe is in a state of complete breakdown. The owner of the last well of natural pure water becomes substitute father and husband. But when his well runs dry, he is forced to do the one last "trade".

Martina starts a relationship with Filip, a young man who spends most of his time playing video games. After Martina convinces Filip to steal her father's money to go to the Party Beach, everything turns into a bloody nightmare.

She watches him through the window as he loads the final pieces of furniture into the truck. They are counting down the last hours in their home. Their seven-month-old baby is asleep, unaware of the trouble brewing. They will either vacate the apartment peacefully, or they will be forcefully evicted. Their home, her father's legacy, used to be their safe haven, their family nest. Now, corrupt courts, greedy bankers, and unscrupulous real estate investors have turned it into a site of their worst nightmares. As tension rise, they struggle to preserve their relationship. In the morning, as police knocks on their door, their future seems uncertain, but their options are very clear: either accept injustice or show resistance.

A young man flees to the United States searching for the American dream.

When Maja's parents come to Zagreb to visit their daughter, Nika and Maja cover their faces with masks and start playing the game Nika has grown very tired of.

On the eve of Mirjana’s 20 year work anniversary, when she is to receive an award at a modest celebration, her interactions with her loved ones illustrate her whole life: the one behind her, the one she is living and the one that is yet to come. «A Blue Flower» is a film about a woman, about a mother and a daughter, a film that evokes emotional associations and urges us to take a long hard look at ourselves.

Legendary TV host Branko Uvodić invites all tamburica bands for a competition at a music festival. Attracted by the big prize, the band 'Aveti ravnice" travels to the festival and is wrongfully accused of stealing the main prize. During the night, they are chased by the police and have to fight other tamburica bands on their way to their home village. When they finally arrive, they face their last and biggest challenge.

Zolja, Jasmin and Mali set out to rob a gas station in order to get money for a trip to the World Cup finals. Fleeing the police, they cross the border with Bosnia and Herzegovina and wander into a terrorist camp in the woods.

Three guys travel by car and boat from Oslo to Balkans.

“Mother Mara” follows a successful businesswoman and single mother who suddenly loses her 18-year-old son Nemanja to a heart attack. Instead of breaking down she buries the trauma deep inside. But when Mara meets 25-year-old gigolo Milan, the walls come down. She embarks on a physical relationship with him, then a friendship develops.

The last independent newsroom in the country is taken over by a construction magnate for the reasons that have nothing to do with love or respect for journalism.