Alfredo Herrera

In a setting from the old West, a childish fantasy can end in tragedy.

This is the story of Lautaro, a ten year old boy who lives in the Tierra Caliente region in southern Mexico during the 40´s. When he is orphaned, he is sent to live with an aunt in a town 60 kilometers away. Lautaro decides, for a number of reasons, to walk back home, and on his way he meets many people, alive and dead, who help him get back home.

This is a story that explores mourning.

An evening get-together of a group of vampire friends takes an interesting turn when an unsuspecting human visitor arrives.

Amelia, at the very moment of her own death, has a short time to say goodbye to her parents, whom must accept their loss.

A mexican chef meets her love interest in an american man.

Jesucristo Superestrella Andino

A cop sets out to find a man who has been delivering too much of a good thing in this offbeat comedy. Police detective Martinez (Jesus Ochoa) has been handed a most unusual case -- a number of local prostitutes have been murdered, and it's up to Martinez to bring in the killer. What makes the case truly unusual, though, is the manner of death; it seems the hookers all died as a result of having orgasms so powerful they were literally fatal. Teaming up with cultural anthropologist Onofre (Daniel Giménez Cacho), Martinez hits the streets looking for clues, and eventually gets some unexpected help from Father Gorkisolo (Santiago Segura), a priest with a unusually deep knowledge of sexual matters. Asesino en Serio was the first feature film from director Antonio Urrutia; noted Mexican filmmaker Guillermo del Toro served as executive producer.

El Amor es Ciego

A young man dies by electrocution, but his body remains alive for a few days.

La Traición

An American priest working in Mexico is considered a saint by many local parishioners. However, due to a botched exorcism, he carries a secret that’s eating him alive until he gets an opportunity to face his demon one final time.

Dramatized series that shows a mosaic of stories, which run in parallel and sometimes intertwine, around Tepito and its identity as a neighborhood, revealing the social prejudices that manifest themselves in classism and racism, as part of a historical reality in Mexico.

Soy Rosalía: una historia de No fue mi culpa