Yūji Tajiri

The film tells the story of Aiko, a 35-year-old mute woman who works in a bowling alley, and her brief romance with Yoshioka, a younger man who works as a postal carrier. The two meet when Aiko accidentally knocks Yoshioka off his bicycle, and they have a sexual encounter soon after. Aiko begins preparing lunchboxes and giving them to Yoshioka at his workplace as a way of expressing affection, which she cannot do verbally.

Sachiko, a young woman frustrated with her life of dull routine, and seeking stimulation outside the deadening monotony of housework and catering to her needy husband, befriends Kobayashi, a neighbor whose wife has been carrying on an affair right under his very nose.

A timid young woman who lives with her domineering mother accepts an Adult Video scout's offer to "become somebody else" by performing in porn videos. As she rises in popularity, the boundaries between her two lives begin to disintegrate.

Documentary filmmaker Kenjiro Fujii takes a look at the history of a distinctly Japanese brand of softcore pornography in this extensive examination of the "pinku eiga" genre (ピンク映画 Pinku eiga or Pinkeiga). For more than 40 years, so-called "pink" films have served as both a key source of revenue for the Japanese film industry as well as a launching pad for the careers of such mainstream filmmakers as Kiyoshi Kurosawa. After providing a detailed history of the still-profitable and popular genre through interviews with a variety of behind-the-scenes players and clips from such classic pink films as Fish Bait Boobies, director Fujii shifts his focus to the production of an upcoming pink film to offer a glimpse into the creative and stylistic evolution of the genre.