Marie-France Planeze

Léontine, an old baroness, opposes her granddaughter's wedding for moral reasons. But Adolphe, her first husband reminds her that her own conduct in the past was far from irreproachable. Didn't she cheat on him ? And after her divorce from him and her remarriage with a baron, didn't she do the same thing to her second husband? Léontine then realizes she is in no position to lecture her granddaughter, all the more as she loves her fiancé truly.

Bavaria, 1433. Reason of state rules that Prince Albert is to marry Princess Bertha of Wurtemberg. But the fine-looking young man is loath to become the husband of a woman with pimples,flat feet and no breast. Nevertheless, he has to obey his authoritarian father, Duke Ernest, and accompanied by faithful Count Törring, he mounts his steed and sets out for Würtemberg. Stopping in Augsburg, he falls in love with the daughter of a local barber-surgeon, pure and beautiful Agnès Bernauer. The couple is soon secretly married and both take refuge at the castle of Margravine Josepha, Albert's aunt, waiting for Ernest's consent. Unluckily Albert's father will not accept his son's union with a commoner and Albert, supported by Josepha and an army of common people, declares war on the Duke. They seem about to be victorious when Brother Enrique, a monk formerly in the Holy Inquisition, finds a way to reverse the situation: accusing Agnès of witchcraft...

The life story of famed French aviatrix Helene Boucher is detailed in Horizons sans fin (Endless Horizons). Giselle Pascal stars as Boucher, who is first seen in 1930, leaving her millinery shop behind in favor of the wild blue yonder. Though the world of aviation was still essentially an all-male one (despite England's Amy Johnson and America's Amelia Earhart), Boucher perseveres, eventually breaking all existing male and female speed and height records. A bit slow on the uptake in the dramatic scenes, the film soars (no pun intended) during the aerial sequences. Horizons san Fin was the winner of the Catholic Award at the 1953 Cannes Film Festival.

Dreaming of heroic deeds, a young missionary soon becomes disillusioned.