Nataša Maričić

A young married woman Jelena finds about her husband's car accident from an unknown stranger named Vlatko, but also that he wants to be visited by his mistress rather than her. The encounter with her father, an ex-politician, will be another shock, but that's when she accepts Vlatko's courtship without being able to see his self-interested nature.

During the war, Ana lost members of her family and was raped by a member of the Serb paramilitary forces. Years later, she accidentally sees her tormentor in the middle of Zagreb. She goes to the police, but the man who fits her description was allegedly killed in the war. While nobody believes Ana, the murderous rapist is determined to eliminate her.

In order to save her marriage, Marija tries to erase from memory the trauma that she's been haunted by ever since youth. The shock she had suffered killed all the love she felt for Dinko. When she meets him again, now that he has become a hopeless drunkard, she feels lost even more.

Janko, a police officer/veteran of the war, who is suffering from insomnia caused by post-traumatic stress disorder, now works as a guard in front of the Russian embassy in Zagreb. Having abandoned his former paramour, the daughter of his police chief, he marries a kleptomaniacal hairdresser named Nana, whom he once caught in the act of picking pockets. He then embarks on an affair with the beautiful Marta, the widow of the war profiteer Dragutin Karlo Stajner, who has left behind him a bankrupted firm, a worthless limousine, several bastards, and at least one angry woman. While Janko and Marta persistently try to divvy up what loot remains before any number of others can claim it, Karlo unexpectedly turns up alive and jumps into the middle of a fray between Marta; Karlo's lover, Julija, a Czech bar-singer; and Julija's husband Vlado, a former henchman of Karlo's who is now trying to lay claim to Stajner's limo.

The action takes place in a village where police investigates a murder committed because of an accordion.

It depicts a night out of a young man from Sarajevo.

The tragedy of human life is read from the personal conflict of man in which there are moments of self-deception, the pleasure of creation and dissatisfaction with achievement, like restlessness and calmness, conflict and catharsis.

When Dr. Lovro Furato accidentally fails to treat the injured eye of the peasant Barisa Surac, the whole silent conflict between the two worlds, rich urban and backward rural, will emerge to the surface.