Antonio Sinisi

Whoever crosses the threshold of a mental health institution immediately finds themselves on a different planet. In PIANO SUL PIANETA, Fabrizio Ferraro’s superb black-and-white images create a dystopian tale, suspended in time but hugely restricted in space.

A companion piece to Les Unwanted de Europa (IFFR 2018) and Checkpoint Berlin (IFFR 2020), I morti rimangono con la bocca aperta extends Fabrizio Ferraro's project of retracing the historical footsteps of those fleeing persecution.

A young man crosses Europe in search of a new Ithaca. Disillusioned with his own country, he moves from a meager grape harvest in arid Banyuls-sur-mer to Brussels and a seductive, if wistful, encounter with a young woman there. Lastly, he hides out in a soulless suite in a Rotterdam skyscraper, where, like an angel of death, he sets in motion a grisly game seasoned with drugs and a digital daz