Ian Mortimer

Mitchell leaves the comfort of suburban bliss convinced that no-one can assess life who has not experienced it first-hand. Clear about what is not appropriate for her, she is searching for what is: a choice. She takes a job at an inner-city hair salon and a room in a nearby boarding house. Here she meets Gaye, who lives on love and spurts on her asthma inhaler. Through a quirk of fate she meets Rex in the hall with not much on but the imprint of a boot on his behind. She takes him in, captivated by his smile. They warm to one another at once. Rex appreciates Mitchell's style and is impossible to ignore. The drawback is he comes fully loaded: Mitchell discovers that where Rex is trouble follows close behind.

The inmates and guards of a modern, clean and efficient maximum security wing are slowly and increasingly brutalized until they erupt in violence.

Set in 1980's Australia, this is the true story of a woman whose husband eventually reveals to her that he is an active member of the Nazi party. A real nightmare begins for her.

Building is Howard's passion, and he is so absorbed in his plans to build an elaborate resort in the Blue Mountains of Australia that he ignores certain obvious signals that his business partner is not entirely on the up-and-up. After a brush fire destroys the resort, an insurance investigator comes nosing around, whom Howard's partner deals with in a drastic manner. By the time Lloyds of London's senior investigator George Engels (James Mason in one of his last roles) arrives on the scene, Howard (Tom Skerritt) is anxious to set things to rights.