Shôen Kataoka

A film on the life of Shibukawa Bangorō, the founder of the Shibukawa-ryū school of jūjutsu. To paraphrase Satō Tadao’s blurb on the back cover of the video, this is an important film for three reasons. 1. it is an almost perfectly well preserved copy of one of only a few full-length movies still available of the first superstar in Japanese cinema history, the very famous Onoe Matsunosuke. 2. it uses a method that was common in the silent era, the dyeing/tinting of film to mark given moments of day (for ex., blue for night-time) or given situations (for ex., red for fire) – and even though most films that used this technique have been redeveloped in straight b&w, this one is available in its original form. 3. it is an early SFX (special effects) movie that uses the basic tools of the trade - a great action movie full of swordsmanship and monsters (bakemono).

Jiraiya is some sort of super-ninja with superpowers. He can fly, he can avoid detection by turning himself into a toad, and he has some sort of ability to vanish.

Directed by Kichiro Tsuji.

The tale of Nakayama Yasubei’s duel is famous, even if he in reality probably did not cut down 18 opponents. The story has been related in film, rakugo, kodan and on stage many times, in part because Nakayama later joined the famous 47 Ronin (Chushingura) as Horibe Yasubei. But Makino and Inagaki’s version gives no hint of this more serious future, playing up the thrills and the comedy with Bando’s bravura performance. The multiple pans of Yasubei running to the duel are an exemplar of the experimental flourishes of 1930s Japanese cinema and the final duel, performed virtually like a dance number, is a marker of Makino’s love of rhythm and one of the best sword fights in Japanese film history. The film was originally released under the title Chikemuri Takadanoba (Bloody Takadanobaba) with a length of 57 minutes, but suffered some cuts and a title change when it was re-released in 1952.