Emmanuel Kojo Dadson

Love collides with social class and colonialism when Aba Appiah, born to privilege, falls in love with Joe Quansah, son of a fisherman. Her father, retired civil servant Kofi Appiah, has other plans for her, and seeks to block their marriage. The resulting conflict has complex and unexpected consequences.

When junior (John Apea) accidentally comes across a suitcase full of cocaine, he sells it and keeps the money. the owners of the drugs catch up with him, resulting in a high speed chase around London and Africa

Brings together two cultural economies that normally have little overlap – the Western art world, and the West African popular film industry.