Pierre Pageau

Centuries ago, the monks of the Cult of the Blood Symbol went searching for their "chosen one" whose blood, they believed, would make them immortal. Olam, the only living survivor of the cult, finally finds his intended victim in Tracy Walker, a fiesty, athletic college student. Patiently, deliberately, Olam prepares to take the one he's been waiting centuries to kill...

In this tragicomedy, Toni is the director of a staged rendition of Othello in Montreal. It is a pet project of his, financed by his loving mafia uncle. Unbeknownst to him, the audiences are also rounded up (and paid) by the same uncle. Some of them have seen every performance of this tragic play, and are understandably bored, so when the backstage romantic shenanigans of the actors result in absurd situations onstage, the audience is delighted. There are a huge number of romantic situations going on in this film at the same time. One of them involves Gaston a somewhat world-weary jazz musician, and Florence, a glamorous middle-aged woman who has been pining for him for years. Another involves to members of the musician's jazz trio. Yet another involves the play's Desdemona, Soledad, the girlfriend of the man playing Othello, who can't keep his hands off his (female) dresser.

At the trial of a judge who was found with a prostitute, a list of clients pops up. It contains the names of some very influential judges and politicians. Then, dead bodies and death threats erupt. Jacques is the trial judge and his own life seems to be in danger...