Roohangiz Sami-Nejad

Golnar is a young tea house waitress who was kidnapped as a child and taken to Lorestan with a clan of bandits living among the Lors. The leader of the thieves, Gholi Khan, is beginning to look at her with interest now she is a grown woman. Little did she know that a young man called Jafar is going to be just near.

Iranian Cinema from Constitutionalism to Sepanta is a documentary film directed and written by Mohammad Tahaminejad, a contemporary Iranian historian, critic and documentary filmmaker. This film tells the story of the arrival of "film" in Iran and the formation of "cinema" from the constitutional period to the filmmaking of Abdolhossein Spanta in India.

A Princess is forbidden to see her childhood sweetheart and forced to marry an emperor.

Before the Islamic Revolution in Iran, women's lives were strongly determined by two contradictory factors: the traditional patriarchy and the shah's modernisation policies. This film-excerpt collage starts in 1932 – the year the first Iranian film with sound was made – and ends in 1979 revealing how, during this period, women were depicted by generally male film directors.