Rosita Fornés

An account of the relationship of brotherhood between Cuba and Mexico led by an unprecedented interview with Eliseo Alberto Diego, Lichi that weaves together history, music, cinema, literature, and the character of both nations. Its also presents testimonies of diplomats, intellectuals, artists, athletes, educators and townspeople, who speak of this cultural fraternity.

Three crooks in Havanna plan the bankrobbery of a lifetime

Two sisters; one's an invalid. They fall in love with the same man.

Wealthy Mexican tourist gets swindled by a Cuban woman pretending to be his daughter from a previous visit.

Publicist on a movie set invents a romance between two stars, and then they start getting all mushy for real. But one of them's married, uh-oh.

Widower with three grown daughters wants to go out and mack on chorus girls and stuff with his Argentine best-buddy.

Mujeres de teatro

Mexican movie

Gloria, Yolanda's mother, exchanges their old house in Guanabacoa for a modern apartment in Vedado to keep Yolanda away from her boyfriend, but her plans soon backfire.

Young man convinces his conservative uncle that trendy modern stuff is fun.

Childhood friends move up the economic ladder from slumrat to middle class comfort, but the marriage between two of them is threatened by a bad woman from a nightclub.

Palmer is a famous star that accidentally witnesses the murder of the producer of the show he is working in. Soon after, a mutilated body appears on the railroad tracks and everyone believes it is the famous actor. His secretary, however, says she has seen him alive.

This film is considered one of Tin Tan's funniest comedies. This time, the charismatic comedian incarnates a mariachi musician that lives the most entertaining an extraordinary adventures while traveling from Mexico to the paradisaic island of Cuba. An example of the excellent cinematographic comedy that only Tin Tan can achieve.

The triumph of a young man in an important erotic literature contest reaches the ears of his grandmother.

Marucha (Sarita Montiel) has had a shattered face since childhood, but she has a beautiful figure and covers half of her face with her hair. She is a singer and performs in neighborhood theaters. Marucha and Ramon are professionals in crime.

Germán Cipriano Gómez Valdés Castillo, a young radio announcer from Cuidad Juárez, succeeds in drawing attention to the pachuco movement through his character Tin Tan, laying the groundwork for a new form of binational and mass linguistic expression: Spanglish. He soon became a leading figure in theater and film on the American Continent. Singled out by critics as a destroyer of the language, he quickly won the approval of the public. His ability to improvise revolutionized the film industry. His talent as an actor, singer, dancer and comedian contributed to the Golden Age of Mexican Cinema. From El Hijo Desobediente to Capitán Mantarraya, from Cuidad Juárez to Havana, from mambo to rock, the legacy of Tin Tan makes him one of the great icons of Mexico today. This film tells his story as it has never been told before.