Silvia Casanova

Eliseo is ugly, lame and single. He hasn't met the woman of his life and has never known love. Nati is ugly, missing a breast and separated. She found the man of her life but, even so, has never experienced true love. Eliseo thinks that the worst of his life is still to come. Nati thinks that the best of her life is still to come. The death of Eliseo's mother reunites them twenty years on in a last chance to find happiness and love. But what happens when the woman of your life is married to your brother

Paulino and Carmela are husband and wife, troubadours touring the countryside during the Spanish Civil War. They are Republicans, and with their mute assistant, Gustavete, they journey into rebel territory by mistake. They are arrested, fear a firing squad, and receive a reprieve from an Italian Fascist commander who loves the theatre. He arranges a performance for his troops, bargaining with Paulino to stage a burlesque of the republic in exchange for the actors' freedom. Will the fiery and patriotic Carmela consent?

A group of guys face the problems of daily life in a shared house

If you want to know what is Slam, you have to come see it. Freaks, piercings, thongs and a lot of cream. 100% wild.

Mis estimadas víctimas

Tender and erotic love story of a respectable bourgeois housewife and a large black Alsatian dog. Shot in 1977, the film employs bestiality as a symbol of Spain's political landscape. It makes references to the massacre of Atocha and to political right wing groups that, after the death of Francisco Franco, tried to maintain the dictator’s political ideals.

Beldar and Sonja, a pair of thieves, steal a precious gem from the crypt of the Order of the Thousand Eyes, a daring act that will lead to unforeseen consequences.

Tonight Hada comes to visit Daniel because her last child tooth as fallen out. What Daniel doesn´t expect is that his worst enemy is the light.

Madrid, summer 2011. Economic crisis. 15-M movement and 1.5 million pilgrims waiting for the Pope’s arrival live side by side in a Madrid that’s hotter and more chaotic than ever. In this context, detectives Velarde and Alfaro must find what seems to be a serial killer. Their against-the-clock hunt will make them realise something they’d never imagined: neither of them are so very different from the killer.

Plauto, the clown, tells us the story of the Circo de las Alegrías. Doña Alegría, owner of the Circus is determined that her son Palevhi, maintain the classic line of the show, which begs for a complete renovation. During the last years, the Circus has been dragging like a dying man until the threat of bankruptcy and unemployment has led his workers to anguish. One night in September, Palevhi decides to inform the big family of the circus the final closure. Tears of frustration give way to the search for solutions.

Entre cien fuegos

Wafer factory-owner P. Tinto and his wife Olivia want a child of their own more than anything else in the world. Years of trying, however, have left them with nothing but a pair of extraterrestrial midgets living in the spare bedroom. When they decide to try adoption, a series of misroutings and chance encounters results in an escaped adult mental patient arriving at their door with adoption papers in hand. P. Tinto and Olivia accept this without question and welcome him in as their son. Can this family arrangement work?

Miguel, a young psychiatrist working in Madrid, learns that his wife has just dumped him for no one else than his own father while he's expecting his mother-in-law's visit, who's come to the city on a medical revision, and doesn't know anything about her daughter's affair; to make things worse, one of Miguel's deranged patients has just stolen his wallet. Going to his patient's home to retrieve his wallet he'll meet instead his spontaneous and outspoken hairdresser sister Jasmina, who's bound to change Miguel's ordered, upper-middle-class world for good.

Julia, a real estate agent, finds an enormous amount of money hidden in a dead man's apartment, a stroke of luck that will force her to face the wrath of the very peculiar inhabitants of the condominium, headed by an unscrupulous administrator.

Vida y color

Two Spanish pan-handlers soon find themselves in over their heads when they stumble upon an opportunity to redeem themselves and perhaps the entire planet. The world appears to suffer from rampant poverty, violence and spiritual desperation and the relentless news media force-feeds these images to the Spanish people. A popular reality television show lets the audience decide between life or death for suspected felons, and one of the opportunistic pan-handlers attempts to escape poverty through this raucous and sensational TV program.

Bajo la palmera

Trapped in an abandoned house, a nameless man desperately searches for clues to how he got there. The answer is hidden within a series of disturbing viral videos - each of which begins to infect his mind.

Amalia in the fall

Don't call it love... call it x

Mañana volveré

En buena compañía

A group of urbanites flee the city for different reasons: existential, economic crisis, need for fresh air, search for peace, inspiration to compose ... The intention of these strangers is to settle in an abandoned town and start their lives from scratch, but when they arrive they discover that there are still some neighbors: rural people with a very different way of seeing life.

La Comedia Musical Española

La que se avecina is a Spanish television comedy created by Alberto Caballero, Laura Caballero and Daniel Deorador. The TV-series focusing around the inhabitants of Mirador de Montepinar, a fictional building located on the outskirts of a big city. Both its storylines and cast are heavily based on Aquí no hay quien viva, which ended when Telecinco bought Miramón Mendi, the series production company. The episodes debuted on the Telecinco network, and were later rerun by the same network as well as cable/satellite channels FactoríaDeFicción and Paramount Comedy. The series debuted in 22 April 2007 and became popular thanks to its funny characters, witty script, use of catchphrases and capacity to integrate and poke fun at contemporary issues; the program presents a caustic satire of many of the 'types' found in Spanish society. The name of the show involves wordplay, as "vecina" is the Spanish word for neighbour.

A caustic satire of many of the 'types' found in Spanish society.

La que se avecina is a Spanish television comedy created by Alberto Caballero, Laura Caballero and Daniel Deorador. The TV-series focusing around the inhabitants of Mirador de Montepinar, a fictional building located on the outskirts of a big city. Both its storylines and cast are heavily based on Aquí no hay quien viva, which ended when Telecinco bought Miramón Mendi, the series production company. The episodes debuted on the Telecinco network, and were later rerun by the same network as well as cable/satellite channels FactoríaDeFicción and Paramount Comedy. The series debuted in 22 April 2007 and became popular thanks to its funny characters, witty script, use of catchphrases and capacity to integrate and poke fun at contemporary issues; the program presents a caustic satire of many of the 'types' found in Spanish society. The name of the show involves wordplay, as "vecina" is the Spanish word for neighbour.

When three working class kids enroll in the most exclusive school in Spain, the clash between the wealthy and the poor students leads to tragedy.

Recounts the experiences of a middle-class family, the Alcántaras, during the last years of the rule of Francisco Franco and the beginning of the Spanish Transition to democracy.