Petra Martínez

Two children, Ignacio and Enrique, know love, the movies and fear in a religious school at the beginning of the 1960s. Father Manolo, director of the school and its professor of literature, is witness to and part of these discoveries. The three are followed through the next few decades, their reunion marking life and death.

Eliseo is ugly, lame and single. He hasn't met the woman of his life and has never known love. Nati is ugly, missing a breast and separated. She found the man of her life but, even so, has never experienced true love. Eliseo thinks that the worst of his life is still to come. Nati thinks that the best of her life is still to come. The death of Eliseo's mother reunites them twenty years on in a last chance to find happiness and love. But what happens when the woman of your life is married to your brother

Life for Adela, a single mom trying to raise her infant son, and Antonia, a widow with three daughters, are forever altered by the terrorist bombing in Madrid.

César, an unhappy concierge, maintains a peculiar relationship with the very diverse inhabitants of the upper-class apartment building where he works in Barcelona.

Love Is Not What It Used to Be

Tells the story of Nacho, a veterinarian, who faces women who have meant something in his life. Before him appears his lover, his mother, his psychologist, his partner, his ex-girlfriend and her sister. With all of them have outstanding accounts and they all have to face to resolve.

A group of guys face the problems of daily life in a shared house

An anthology film with 20 stories on the subject of words, communication, linked to one another over a 400-metre stretch: from Madrid's Lavapiés Square to the Sala Mirador. A journey between theatre and cinema, filmed in a single fixed shot running continuously over 80 minutes and half a kilometer, in Madrid's popular Lavapiés district. The characters talk, argue, laugh, cry, threaten, whisper, shout, steal, make dates, get angry with and hug one another, prompting the spectator to reflect on the immense power of words.

Having turned 60, Adela is living a life she never wanted. She has no children, a husband who walks all over her and, worst of all, nothing to look forward to. Then one day she has the chance to win 300,000 euros and leave her old life behind. All she has to do to get it is kick a ball into an open goal from the halfway line at half-time in a Spanish league match. Accepting the challenge, Adela starts training for the big day.

A rural couple in crisis, who have a brother and sister with urban problems, and all of them trying to find a solution.

Two salesmen arrive at an old woman's house to offer her a great deal.

Spain, 2003. An accidental discovery leads Clarence to travel from the snowy mountains of Huesca to Equatorial Guinea, to visit the land where her father Jacobo and her uncle Kilian spent most of their youth, the island of Fernando Poo.

The story of Francisca Sánchez del Pozo, " Paca ", and the Prince of letters, the Nicaraguan Rubén Darío. In 1956, Francisca Sánchez, married to José Villacastín, and already in the twilight of her life, receives in Navalsaúz two writers, Antonio Oliver and Carmen Conde.

Two speleologists, Esteban and Pedro, travel to a mountainous area located in northern Spain, near a small village, to study a newly discovered cave and determine if it is of scientific interest, while Gabi, Esteban's wife, awaits their return on a lonely road at the foot of the mountain.

Petra doesn’t know who her father is. Her entire life, it’s been hidden from her. After the death of her mother, she embarks on a search that leads her to Jaume, a famous artist and a powerful, ruthless man. On her path to uncovering the truth, Petra also meets Jaume’s son, Lucas, as well as Marisa, his mother and Jaume’s wife. That is when the story of these characters begins to intertwine in a spiral of malice, family secrets and violence that drives them all to the edge. But fate’s cruel logic is derailed by a twist that opens a path to hope and redemption.

"Escuela de seducción" is an acceptable comedy which deals, for the umpteenth time, with the war of the sexes using misunderstandings and fake personalities as dramatic resources. The premise is by no means original, but this is something most films lack nowadays, and therefore the result could have been more than acceptable.

An old couple is looking forward to a visit from their son. The father cuts a tree so that his son could park his car.

Manoli and Fernando, a couple of communist ideas, want to live their love freely, fleeing from any bourgeois convention. At first, the couple rejects the help of her parents, but soon they will begin to give in and accept all kinds of comforts.

El Barco Pirata

Tells the story of a grandmother after the death of her husband. And how this fact confronts her with her own life.

Simón is an aspiring novelist who makes a living designing crossword puzzles for a newspaper. One day he receives a threatening message instructing him to include the word "adversary" in a puzzle as Seville gets hit by a series of violent attacks.

Two Spanish women from different generations find themselves sharing a hospital room in Belgium. María has been living there for decades after emigrating when she was young and Verónica is a young girl recently arrived in search of opportunities she never found in Spain. A strange friendship is forged between them and this leads María to set out on a return journey to the south of Spain with an unusual mission. What begins as a search for Verónica's roots will become an opportunity to open herself up to the world and question certain principles on which she had based her life.

MG, a policewoman who has been expelled from the Corps due to the problems with alcohol and drugs that she has had since the loss of her son, receives a call from a man asking her to look for Macarena Gómez, a popular TV actress.

El Transplante focuses on the story of "a mature couple" who "sees the need to renew their bodies to avoid being fired from their jobs", but who only have enough money for one of them. That limiting circumstance will force them to make decisions.

Years after his mysterious disappearance, Julio Arenas, a famous Spanish actor, is back in the news thanks to a television program.

The tale of a group of women (a sweet old lady, her religious niece, her servant and the latter's disabled mother), all so generous and selfless that they almost compete with one another as ferocious rivals to see who can help most and make the greatest sacrifice for the others' wellbeing. And we all know the well-known saying: 'The road to hell is paved with good intentions'.

The story is settled in the Middle Ages when three monotheistic religions coexisted and fought for power in the Spanish Peninsula: Christians, Muslims and Jews. The series mixes action, intrigue and love in the Castilian capital of Toledo. It shows us about all those who lived in the walls of a city full of ups and downs, labyrinths and shady hiding places.

Amar en tiempos revueltos is a Spanish soap opera set in the times of the Spanish civil war and the early Francoism. The serial has been aired from 2005 and has won prizes in Spain and a Silver Medal in the «New York Festivals». In January 2013 will air on Antena 3 with new name, Amar es para siempre

Los misterios de Laura

La que se avecina is a Spanish television comedy created by Alberto Caballero, Laura Caballero and Daniel Deorador. The TV-series focusing around the inhabitants of Mirador de Montepinar, a fictional building located on the outskirts of a big city. Both its storylines and cast are heavily based on Aquí no hay quien viva, which ended when Telecinco bought Miramón Mendi, the series production company. The episodes debuted on the Telecinco network, and were later rerun by the same network as well as cable/satellite channels FactoríaDeFicción and Paramount Comedy. The series debuted in 22 April 2007 and became popular thanks to its funny characters, witty script, use of catchphrases and capacity to integrate and poke fun at contemporary issues; the program presents a caustic satire of many of the 'types' found in Spanish society. The name of the show involves wordplay, as "vecina" is the Spanish word for neighbour.

Carmina

Todas las Mujeres

Pedro, Luis, Raúl and Santi are four friends who feel a little lost in the new world of empowered women, each trying to adapt in their own haphazard way.

Historias para no dormir

La princesa de Éboli

Estirando el Chicle