A young couple meet a mysterious man who, in the course of conversation, covers Japanese cuisine, Bengali literature, and his own checkered past.
Adapted from "Dui nomberer asami" written by Nilanjan Chaterjee. 'Kaler Rakhal' ( The Understudy), is a musical depicting the lives of colorful 'Bahurupis' ( The itinerant performers ) in rural India, mainly in Bengal region. The story also focuses on contemporary social and political issues.
The story of a modern day Aladdin, set against the backdrop of contemporary Calcuttan consumer society.
The story revolves around a hotel named "Shah Jahan Regency" and lives of people associated with that hotel. The hotel is one of a kind and very different from others as it strongly believes in the rich culture of India and tries to imply and maintain that in every aspect of the hotel - starting from the decor, to uniforms of the staff members, to the names given to various parts of the hotel.
Free as a bird. To wander. To nestle. To take flight. We are not. As India gained its much awaited independence in 1947, a race faced another struggle. Bengal was divided and hundreds of thousands of Bengalis were displaced and divided on the basis of their religion. The Hindus were forced out as East Bengal was made a part of Pakistan and the same fate lay in store for the Muslims of West Bengal. Millions became refugees in their own homeland, and thousands still bear the cross and the scar. The film is a human saga of a truncated land and how people are trying to relive their destiny.
A struggling film director looking for his next project decides to examine the LGBTIQA+ community.
