Jomol

The movie begins in Bhilai where Ravi tells his daughters that he will show them swans, once they are back at his native place, a place where people know only to love.Ravi who returns to his tharavaadu after a long time, where he was labelled as a Mudiyanaaya Puthran.But his dream and real facts stood very much apart.His elder brother and almost all his siblings tries to gang up against him, making the place which he called home, nothing short of hell.But he is determined to bring back the olden days.He could do justice to that to an extent. But in the end he decided to return to Bhilai , but this time taking his mother along. The movie ends he could show the arayannagal to his kids at his home itself.

Puthooramputhri Unniyarcha movie is an adaptation of a story taken from the annals of the Vadakkanpaattu. Unniyarcha (Vani Viswanath) who is the bold and beautiful daughter of Kannappa Chekavar (Captain Raju) of Puthooram Veedu is a great fighter too. She is betrothed to her cousin Chandu (Devan) during childhood. But as she grows up, she begins to develop an aversion towards him.

Sanjay (Prashanth) and Nithi (Shalini) are best friends right from their childhood days. They are neighbours, have grown up together, attend the same college and spend every minute of their waking hours together. Both have their admirers in college with Sneha (Jomol) wooing Sanjay and Praveen (Krishna) revealing his love for Nithi. Nithi's week-long trip to Bangalore, along with some prodding by his housemaid, makes Sanjay realise how much he misses Nithi and that he is in love with her. But respect for their friendship and her makes him hide his feelings. Meanwhile, Nithi accepts Praveen's proposal and things quickly move towards their marriage. But when things come together Nithi realises that she cannot stay without Sanjay and at that time he reveals that he too loves her.

The film is about a special friendship between a boy and girl, Aby (Kunchacko Boban) and Sona (Shalini). Aby and Sona are childhood friends but they have no romance between them. It was too late when they realized their romance.

Advocate Sethu and his wife Vasundhara Devi are not in good terms. Their three daughters try to reunite them.

Mundoor Ramanandan Nambyar is an Ottamthullal dancer who is struggling to make his way of living. Once he was hired by a rich man to perform a week-long function. His daughter Priya falls in love with him but is unaware that Mundoor is already in love with Indu

The character 'Kuttichathan' is formed on the basis of the specialties of a deity popularly known as 'Chathan' who is being worshiped mainly in the south Indian state, Kerala. There are cruel magicians everywhere in the world.

Chanthu, a poor orphan and Aromal are cousins and belong to the Chekavar clan, a warrior clan who hire themselves out as duellers to settle disputes among the rich and powerful. Aromal, jealous of the much more talented Chanthu, makes life miserable for him and Chanthu decides to leave and live with Aringodar, a rival chekavan, as his pupil. When the two sons of a local landlord have a property dispute and decide to hire Aromal and Aringodar to duel it out, Chanthu has to decide where his loyalty lies - with the family of the uncle who brought him up or with Aringodar who provided him with sanctuary.

A journalist, investigating traffic violations in a city, comes across mysterious happenings and lands herself in a dangerous situation.

60 years after a lass of the Aalathoor Thekkemadam manor, Kuttimani (Kumari Joemol), was putatively killed by her jealous lover Krishnanunni (Kunchako Boban), & after which he was hanged, the current patriarch, Valiyathan (Thilakan), looks to restart a defunct religious rite. However, things get edgy after it started to seem like the old lovers have reincarnated as Gayathri (Kumari Joemol), a young girl of the current generation & Manu (Kunchako Boban), the caretaker's son, & they fall in love

Sandeep, a doctor, meets Devan, who is a dying patient. He gets inspired by Devan and decides to give him the best in his last few days.

Unni (Dileep) has many debts and no way to repay them. He decides to commit suicide so that his parents can use the insurance money to repay the debts, but he is saved by a fisherman named Gangadharan (Cochin Haneefa) and his employee Ramanan (Harisree Ashokan). When they notice Unni drowning, Unni pretends to be deaf and mute so that he can fake his death and the insurance money reaches his family. Gangadharan however has a debt of his own, to a Punjabi family of money lenders who have settled in Kerala. He is forced to make Unni and Ramanan to work at their home until he can repay it. A series of interesting events follow after Unni meets Pooja (Mohini) at the house, who is deaf and mute.

Sneham is a 1998 Indian Malayalam film directed by Jayaraj starring Jayaram, Jomol, Kasthuri, and Biju Menon. The film features a musical score by Perumbavoor G. Raveendranath, with lyrics written by Yusufali Kechery.

Janakikutty, who is ignored by her family, once gets confronted with the vision of a murdered lady. They become friends. By the power of that spirit, Janaki's uncaring family suffers many mishaps.

Nandana likes Bobby but, doesn't reveal it to him, Bobby misunderstands Malavika to be his secret admirer and to find out the truth he dresses like a girl and enters Malavika's hostel.

Vasu and Radhika try to avoid Radhika's arranged marriage by saying that she loves Ramesh, a fictional man. However, they get into trouble when a man named Ramesh really walks into their life.

An old man K.K. Madhavan noted for his thinking and stance on social issues is proud of his scientist son Siddharthan but upset about the country's involvement in nuclear tests. He continues his crusade against nuclear weapons but together with his loyal wife Bharathi finds himself increasingly isolated as his own son, his party and the country celebrate the nuclear advances made in India.

In the unforgiving shadows of sympathy, Ganesh Gangadharan, a paraplegic designer, wrestles with his inner demons, striving for a semblance of normalcy.