Claude Cooper

A young couple's marriage is jeopardized by the husband's descent into alcoholism.

The lead Florence La Badie plays dual roles. Clever editing is used for the scene where her two characters meet. La Badie, however, does appear twice within a scene via superimposition, but that's in a flashback-within-a-mirror scene. There are a couple such scenes where La Badie's reflection in the mirror reflects her reflective melancholy mood.

Oscar and Conrad comedy produced by Thanhauser.

An American girl marries the prince of a small European country. On their wedding day, the couple is involved in a car accident, the result of which is that the new bride suffers amnesia and can't remember who she is or anything about herself. While her new husband is off tending to his ailing father, the king, the woman's doctor hires a man to pose as her husband, hoping to jar her memory. She falls in love with her new "husband"; complications ensue.

The Thanhouser Company's two-reel adaptation of Oscar Wilde's eponymous novel. “The plot is unusual, and even though none of the familiar epigrams of the author find their way into the subtitles there is an artistic flavor to the production. Dorian's picture shows evidence in the passing years of his selfish, dissipated life, though his own countenance remains unchanged. Harris Gordon handles the leading role effectively, and Helen Fulton was pleasing as the ill-fated young actress who won Dorian's heart." - The Moving Picture World, July 31, 1915.

Dick hastily marries a young woman, yet his wealthy father rips them apart. Unbeknownst to him, a son is born. Years later, Dick is in happy, but childless marriage when they decide to adopt a child. By chance and unknown to him, the boy is his son.