Airton Bratz

Zombies, beautiful dead girls, newly-dead and a wide variety of colorful and slimy undead invade the West of Santa Catarina, Brazil. Guts roll while "yerba mate" Cronenberg is consumed by the farmers. But the zombies aren't the biggest problem when all the humans are sadistic and selfish.

A gore story about a girl who learns to use sharp machetes to avenge the death of her beloved murdered by religious fanatics.

After refusing to pay their property taxes, a house of cannibals prey on the government workers who come to collect.

In this anthology of horror episodes, 13 bizarre stories are told by independent film directors of Southern Brazil. Between ghosts, serial killers and demons, they conduct their strange, very strange stories.

2020, Brazil is ruled by a military crentecracy in alliance with the great agribusiness industry and the armament industry. Free thinking has become a major barrier to the Brazilian government. Anarchists, teachers, artists, small organic farmers, independent publishers and freethinkers have become the new Witches of the 21st Century and are the main targets of this crusade against wisdom. Thus, the Brazilian government created small groups of catechists who visit infidels who dare to think freely, with the mission of purifying their souls.

It was supposed to be a romantic afternoon on a “deserted” island in the Uruguay River, but a couple of wealthy ecologists had a bad luck because they ended up finding not love and peace, but hungry zombies wanting guts and brains under the command of a priestess. diabolical, and this couple will have to fight for their survival in that place. Parallel to this, a serial killer dressed as an old lady drags a "blonde" from the city to her isolated shed to serve as a victim in her sadistic tortures.

The Crazy Origin of Covid-19

Dr. Karloff prisons an alien from the Leguminous Planet and calls his friend Dr. Marins to help him in his experiences, because the Leguminous Monster is an anarchist intellectual full of hate against the human beings. While the scientists discuss about the monster, Caquinha is convinced for him to let him go. Done that, the Monster kills the scientists and kills everyone he finds in his way.

The son of a businessman and his bodyguard are kidnapped by a group of terrorists. With the ransom money they hope to buy more weapons and thus finance the revolution. One of the terrorists, a torturing doctor, decides to use his bodyguard to perform his sexual activities and shoot a snuff-movie. The problems for the group begin when the businessman refuses to pay for his son's life, claiming that he is a bloody drug addict and is worthless. Eliminating the hostage may not be such a simple solution, especially when he refuses to die.

Super Chacrinha and Glauber Rocha, two millionaires from the earthly plane of Varathrum, manipulate the people around them, including Deus and the Devil, so that their artistic industrial conglomerates grow.

A gang of criminals is taken by surprise by colonists contaminated by a drug (tested by the government) that unleashes their murderous instincts.

A punk scientist formed the formula of the deadly drink that transforms drunks into hallucinated zombies and awakens the fury of Little Red Riding Hood's grandmother and her afternoon tea buddies, who armed and dangerous decide to get revenge.

A Cor que Caiu do Espaço (2016) is freely based on the text "The Color Out of Space" by H.P. Lovecraft. Filmed as if it were a delirious nightmare, Color that Fell from Space is a short with independent production of Baiestorf and Silvia Prado that integrated the collective long "13 Stories Strangers". Experimentalism.

When the nephew needs to spend a day at his uncle's house, he realizes in the worst way that he is no longer the same, he is much worse than normal, he has become a patriot, in the worst definition of the type.

In 1992, a group of teenagers began recording horror films with VHS cameras in Palmitos, in the west of Santa Catarina, Brazil. Led by Santa Catarina director Petter Baiestorf, the production company came to be called Canibal Filmes. Far from large urban centers and in times of stagnation in Brazilian cinema, the group learned in practice how to make low-budget cinema. The films found their own way of financing and showing to the public. Through reports, photographs, documents and videos, the documentary covers Canibal's early years, retracing the group's efforts and challenges in making independent cinema in a region with no cinematic tradition.

The Vegetable Monster survived the shot fired at the end of Part 1. Wounded, he is saved by a shy veterinarian who is abused by the rude colonists of southern Brazil, and who will use the alien plant creature as an instrument of revenge.