Helmut Weiss

Cult filmmaker Russ Meyer takes on directorial duties in Zugsmith s adaptation of the notorious erotic classic Fanny Hill. Set in pre-Victorian London, young Fanny finds herself taken in by a madame at one of the city s most elite brothels. A strange mix of Zugsmith s surreal slapstick and Meyer s trademark buxom beauties and thoughtful satire, Fanny Hill is an over-the-top saga of low-rent thrills in high-brow settings.

A scientist experimenting with suspended animation decides to use himself as a test subject. Before he is frozen, his wife is killed, and he is suspected of her murder. a murder suspect.

An operetta directed by Herbert Maisch.

Der Florentiner Hut (The Leghorn Hat), a 1939 German film directed by Wolfgang Liebeneiner

The daydreaming tailor Wenzel is fired from his job, because the fancy frock he was supposed to cut for the mayor, he instead made for himself. He is allowed, however, to take the frock, which he appropriated for himself and he puts it on as he leaves the shop. A puppeteer picks him up in his coach and addresses Wenzel as "Count". So is he received in Goldach, where people think he is Count Stroganoff, the ambassador to the Czar of Russia.

Modell Lu, der Lebensweg eines Hutes

Gold für Montevasall

Die Chefin

Skandal um die Fledermaus

The setting is Lugano (Switzerland), where an apparently very important world conference takes place. The film tells the story of the young Kitty (Hannelore Schroth), who works as a manicurist at the Eden Hotel, and who in the course of events gets to know both a young journalist (Christian Gollong) and the English minister of economics (Fritz Odemar). A lot of wild mix-ups, comic situations, a love story and occasional singing ensue, and in the end most of the VIPs have gained their share of laughter… There’s also a great performance by Paul Hörbiger as the hotel porter. For a 1939 film made in Germany, “Kitty” is remarkably irreverent and satirical about politics.

Two female agents from a rival gang are sent to disrupt the operations of a gold-smuggler's caravan in Africa.

Flitterwochen

1838: Fritz Jüterbog and Ottilie von Henkeshofen love each other, but the difference in status is too great for Ottilie's parents to give their consent to a marriage. And so, Fritz sets off for America and returns from there 20 years later as a made man to ask for Ottilie's hand in marriage again. In the meantime, however, Ottilie - believing that Fritz had long since forgotten her - is married in a manner befitting her status, but very unhappily. Fritz, who is highly successful as an entrepreneur, is elevated to hereditary nobility because of his great services to the fatherland. It is too late for a union with Ottilie, but despite the years that pass, the two cannot forget their love. 75 years later, Fritz and Ottilie have died in the meantime, their grandchildren Fred and Tilla meet and fall in love.

Das Kriminalmuseum was a German television series. It ran from 1963 to 1970 on ZDF and was one of its first programs. Each episode began with a tracking shot through an unspecified crime museum, stopping at one of the displays, whose story was then told. Each episode was between 60 and 75 minutes long and featured different actors as the criminal commissioner. The best known was Erik Ode, who in 1969 moved to Der Kommissar, appearing in 97 episodes. The theme music of the series was written by German composer Martin Böttcher, who also composed the complete scores for five episodes.