Alexia Kaltsiki

Eight-year-old Lulu gathers snails in the park where she goes every day with her mother. Her obsession with the snails leads her to develop a special relationship with a strange foreigner who haunts the park–with unexpected results.

Summer in an Athenian neighborhood, the alarm of a car does not leave their neighbors in peace. But every one has its own problems. Infidelity, robbery, jealousy, flirtation, and family reconciliation on corpses, all pour forth into five intertwined stories

Thodorakis, the film's hero, has a happy go-lucky attitude about life and women, but this all changes when he is forced by his uncle to train as a chef. He soon becomes a top chef and is so impressive that he enters a 'secret society' for chefs, who battle it out to see which one is the best. To his detriment he becomes so obsessive that the women in his life find him obnoxious and nothing seems likely to save him until the news of his patron's death slaps him in the face like a cold fish. In the end, the shock reminds him to keep his life in perspective.

Haralabos is at his late forties and he has just lost his dog. He decides to fill his empty space and time with a collection: on a whim, he chooses to collect egg holders. Until one day he meets Dimitra, an avid collector and also a loner. Their relationship will share the joy of discovery and the grounds of sharing. But everything will change after a trip in the country, where the couple will face an unknown temptation: the egg holder that could be the most beautiful piece in their collection. If they don’t own it, how can they go on?

The performance is over, the actors step off the stage, the audience leaves the theater. However,in this case, the end marks the beginning. Eleven spectators star in their own tales, intertwined in a collage crafted by life itself. Restaurant and movie theater owners, immigrants and tourists, regulars and passers-by interact with the urban entourage and the people they come across, weaving a mosaic of endless possibilities.

Η Κόρη του Ρέμπραντ

A post-modern theater adaptation of a classic Greek tragedy takes place in a central theater of Athens. Like every night, the audience take their seats and the play begins. Suddenly, the lights on stage go out. A group of young people, dressed in black and carrying guns, come up on stage. They apologize for the interruption and invite people from the audience to participate on stage. The play resumes with a main difference; life imitates art and not the opposite.

In 1984, photophobic Zano arrives in Athens and quickly gets devoured by the dark underbelly of the capital city.

Young man arrives in Athens to seek his fortune.

Η Άννα, μια νεαρή ιστορικός τέχνης, ετοιμάζει μια έκθεση για τη ζωγράφο Μαρία Δήμου, το θάνατο της οποίας καλύπτει βαθύ μυστήριο. Αντλώντας πληροφορίες από τον σύντροφο της Δήμου, τον Άγγελο, θα αρχίσει σιγά σιγά να ανακαλύπτει ότι τόσο εκείνος όσο και η ζωή της Μαρίας κρύβουν πολλές σκοτεινές πλευρές.

A writer, locked in his house, writes about a young man who wanders in Athens and tries its fruits.

Λίστα Γάμου

Antonis always goes by train. He is in a rush to make it on time. His recent past keeps catching up on him. Reality does not allow him to escape the images. That's how it is. because that's how it goes. He couldn't give a damn about anything. He needs to pee. Dependent on his girlfriend just as he's on himself. He doesn't owe anything to anybody.

Greece short film

The father is unemployed. His son is sick. It is cold outside.

Hoping to bring their dead mother back to life, three brothers build a time machine in this visually decadent, bizarre and altogether mesmerizing head-trip.

Δυο Μέρες Μόνο