Monique Chrysès

In Gossette (1923), Dulac experimented with and designed a number of special lenses and prisms to produce a variety of effects and multiply the expressive means which translate the characters' visions and mental states. She also reversed class and gender roles, as she made the female character Gossette come to the aid of Phillipe de Savières, falsely accused of murder, in order to save his name.

L'enfant des halles

Eugenie, a young girl with a delicate temperament, runs away from the sordid cabaret run by her mother. Helped by a providential coincidence, she became a model in a fashion house on the Champs-Élysées.