Jeanne Saint-Bonnet

After returning from the circus, Bout-de-Zan starts doing acrobatic tricks.

Bout de Zan is a young boy by description and a petty thief by vocation. In this short, he does indeed steal an elephant from a circus, parading it around town and using it to beg for money. Due to their rambunctiousness, Bout de Zan and the elephant (!) need saving from the authorities.

Baby Fisherman

Remember when Julie Andrews in The Sound of Music says "Every time God closes a door, He opens a window?" Well, this is basically the same philosophy followed by a sage authority named Professor Azais. Though he is never seen in the film, Azais's influences dictates every move made by Le Baron Wurtz (Max Dearly), a private tutor. Though he suffers quite a few setbacks, Wurtz presses on, armed by the Azaiz philosophy that every time something goes wrong in one part of the world, it is balanced by something going right elsewhere. This "law of compensations" pays off in big laughs for the audience, and in a happy-ever-after for Wurtz. Azais was based on a play by Georges Berr and Rene Verneuil.

There is one joke in this slapstick from Jean Durand's comedy unit at Gaumont: Calino wants to win a boxing match, and decides that he needs to toughen up one part of his body: no glass jaw for him! So he subjects his chin to various punishment, all of which he endures with no sign of discomfort.

Bout-de-Zan et le lion