Walter Cornás

Juan is in his 30s, bored with his life, and isolated from his friends. He is just dedicated to being a good boyfriend. One day, his girlfriend dumps him, and he leaves the house they shared not knowing where to go. Eventually, he starts enjoying his life again.

On New Year's Eve, Julio Saez Jr. a recently graduated architect, under pressure from his father, throws a party. But his house fills with young rock 'n' rollers and Julio will have an unusual night.

The tragic death of a polar bear triggers the end of the Buenos Aires Zoo. A superhero lover lawyer asks a court to declare the orangutan Sandra a Non-Human Person and revolutionizes the planet. A very Argentine story, full of passions, embarrassing missteps and memorable characters.

A space vampire stalks ardent young people who visit the city cemetery.

A classic short from FARSA Producciones.

A young editor (Esteban) will find that he is a prisoner on his new job: an "editing island".

A classic short from FARSA Producciones.

A retired general and his son meet six crazy young men while on a fishing trip.

Lucas and a group of friends decide to make a Sci-Fi movie without knowing that they live in a world where that is forbidden. They become the only hope of rebellion, the only hope to bring down a decaying empire and generate a new revolution that awakens the sleeping people.

The story of Daemonium begins in an alternate universe to ours, in which magic and technology coexist with humans and demons. A powerful family hires a band of mercenaries and forces Fulcanelli, a wizard and con artist, to invoke a demon with the purpose of gaining even more power. Of course, things go terribly wrong. The wizard escapes and the demon slaughters the mercenaries, with the exception of Razor. He’s the one who seals the deal to become lord of the criminal underworld. The family kidnaps Lisa, his pregnant wife, and turns her into a merciless killing machine and the spear point of their offensive against Razor. But she’s not the only threat to the crime lord. It’s only a question of time before the demon returns to claim Razor’s soul. Fulcanelli seems to be the key to stopping the demon and Razor sends out his band of sexy killer robots to find him.

In a popular auction that matches the sinister and colorful of a circus of phenomena, a couple adopts children in exchange for their belongings. The children there acquired, usually mutilated, are in their new home in order to prepare for access to the Peronist education program taught in only 10 state institutes.

A group of people must fight for their lives when a bizarre epidemic starts a zombie invasion.

A classic short by FARSA Producciones reconditioned so that it can be viewed. With the performances of Berta, Walter Cornás, Dani The O, Diego Parés and El Marinero Turco.

An invasion alien threatens the fate of humanity and begins in a village where there are Bill Johnson, John West and Max Giggs. The friends escape from there with the purpose of finding and destroying the invading ship before it completes its evil plan of conquest.

Santos, a failed comic book artist, lives in a parallel universe where he's a superhero who has to save the world.

In 1997, 17-year-old suburban Buenos Aires filmmakers Pablo Parés and Hernan Sáez pooled $450 to co-write/produce/direct and star in a shot-on-VHS zombie epic of such flesh-ripping, gore-spewing greatness that it instantly drew global cult acclaim and redefined the possibilities of extreme DIY horror. Over the next 20 years, Parés, Sáez and their friends would create two increasingly ambitious – and equally brilliant – viscera-soaked sequels (and several short films) that made them “Argentinian George Romeros who’ve built a small empire of gore flicks”

A massacre tinted Cascallares with blood and time covered the events with a cloak of silence. Ten years later, a group returns to the place to investigate. They will soon turn into corpses one by one. History repeats itself.

Lava (2019), the animated film Ayar Blasco presented at the 34th edition of the Mar del Plata Film Festival, left many subplots unresolved in a sci-fi narrative in which an alien civilization dominated the planet through technological devices. This incompleteness, which could then be attributed to the director’s aesthetics, always free and prone to absurdity, was actually a pause that now, four years later, is resumed. The protagonist continues to be Débora, a somewhat insecure tattoo artist who ends up involved in the resistance when a new batch of invaders threatens to wipe out every single record of the human race. With the childlike strokes and the uncontrollably innocent humor characteristic of him, Blasco continues to shape his own epic, a hallucinated version of El Eternauta, with click beetles and all.

Cichonga

Y...quién mató al mayordomo?

A small town is the subject of some experiment with aliens where they were allowed to test some earth folks with some kind of disease, but of course it spread with disastrous results. And now, three oddballs have been dumped into the middle of this town as test subjects or something, and the race for survival is on. John West is a strongman, with a cowboy hat and leopard skin tights, Bill is a medical student, and Max is a mathematical genius, and it's them against the zombies.

Once Upon a Time in Buenos Aires

Deborah makes a living by drawing the skin of her clients. One night, her housemate invites her boyfriend and friend to their house. Sitting in the armchair, they consume the series of the moment, Gain of Clones, until, suddenly, the signal is cut off and the screen is dyed red while subliminal images float. No one remembers what happened the last two minutes. The answer will be in the enigmatic presence of giant cats that will later invade the city.

In 1997, an Alien race attempted an invasion in a small city of Argentina by fertilizing the human population turning them into blood thirsty zombies. The plan almost worked until 3 unlikely heroes emerged, battling back the zombies, and ultimately destroying the Alien mother ship. Now, 16 years later, the Aliens are back to their old tricks. Their target this time around is America. The city of New Bedford, Massachusetts is quickly overrun by the alien zombie infestation.

El Mono, Maikel, Balde, Mafia, Mariano and Memo are six bricklayers who decide to appear in a beat band contest to fulfill their dream: dedicate themselves to music and barbecue. On the way to the contest, in which they are divided to fulfill different objectives (gather instruments, beat clothes, groupies, etc.), they will be caught in the most hilarious adventures in which they will be helped by strange characters.

A 36-year-old meek woman realizes that there’s younger people trying to outpace her doing much less, so she makes a risky change by removing her filter.

Argentinean filmmakers talk about the Buenos Aires Rojo Sangre Film Festival and the history of genre cinema in Argentina.

María Fernanda and Roberto have a tortuous relationship: they spend most of their day fighting. Problem is, their fights irradiate a laziness wave that overcomes little by little all of humanity. Both of them will have no other choice but to work out their problematic relationship, before the Laziness Wave destroys the world.

Vacaciones en la Tierra

During a terrifying night in Buenos Aires, five urban legends unfold in the most surprising way possible. While a politician is accused of being responsible for an urban tragedy in which fifteen people died, in Buenos Aires various stories based on urban legends intersect.

A young man wants to make a girl fall in love with him and on the way he discovers that what he wanted was something else...

Damián is the neighbor of Viloni, the most popular wrestler of 100 % Lucha. He has always hated Viloni for his popularity. That's why, taking advantage of his bio-technical knowledge, he creates lots of clones who look exactly like the wrestlers of 100 % Lucha (including Viloni). Viloni will be forced to ally with his enemies on 100 % Lucha to stop the evil doctor.

Tells the love story of Pablo, director of documentaries and Nati, specialist in public relations.

After Eva Perón’s death in 1952, her corpse is held for three years awaiting the construction of a mausoleum — a resting place that would never be built. In 1955, the military seized control of Argentina and hid Perón’s body from the public, fearing that it would unite the country against them. But they never imagined that in doing so she would become more dangerous in death than she was in life.