Dayana Contreras

A group of movie professionals go into a studio to, over a single day, read / test/ count / live the story of 'The Silly Ones and The Stupid Ones'. Sitting around a table and following the directions of the director, the actors show us the evolution of the creating process and how the characters through the trials, indications, lighting or props, that at first were just a story captured on a script becomes a film, in cinema, the great optical illusion, the visual lies that allows us to enjoy the stories we see on the screen.

Zosimo is the best at his trade. But if he can not work, his life holds no meaning.

How far can you allow your life to intertwine with others, leaving yourself open to spontaneous gestures, opportunities and chance? Three different characters, languages, experiences and sexualities. And three desires, all intense. But just one feeling is possible: guilt. A short essay on human incapacity to go beyond accepted rules and break out from convention.

Khalil is a young man torn from his roots who lives on the edge of town, where the industrial estates merge into the river and the marshes. Khalil gets by as best he can and spends his time with an old poacher, who shares a house on the riverbank with a brother he hasn't spoken to in years. On the banks of the marshes, the tides mark the time of love and heartbreak, of friendship and revenge.

Recounts the experiences of a middle-class family, the Alcántaras, during the last years of the rule of Francisco Franco and the beginning of the Spanish Transition to democracy.