Stephan Balint

Belgian director Chantal Akerman avoids her usual "real time" technique in Histoires d'Amérique. The anecdotal nature of the subject matter compels Akerman to fragment her narrative, rather than offer it in one, uninterrupted continuum. Still, another Akerman trademark -- permitting the "drama" to emanate from the actors rather than the situations -- is very much in evidence. This informal history of Jewish life over the past 100 years is related in a series of eyewitness accounts, re-created by a group of largely unknown actors. Also known as American Stories, the Belgian/French Histoires d'Amérique began building an audience when it was shown at the Berlin Film Festival.

Hungarian physicist Leo Szilard leaves Europe, eventually arriving in the United States. With the help of Einstein, he persuades the government to build an atomic bomb. The project is given to no-nonsense Gen. Leslie Groves who selects physicist J. Robert Oppenheimer to head the Los Alamos Laboratory in New Mexico, where the bomb is built. As World War II draws to a close, Szilard has second thoughts about atomic weapons, and policy makers debate how and when to use the bomb.