Menashe Warshavsky

Bentzi, Momo, and Yuda'leh are three teenage boys growing up in 1950's Israel, which is not much different from 1950's America if you believe what you see in the film. Of course they are obsessed with one thing - sex. Bentzi is interested in the beautiful Nili, but she prefers his friend Momo.

Those Lemon Popsicle boys are at it again!..Naughtier than ever in...

Three young Israeli men join the army, and it soon turns out that they're more interested in chasing skirts than following orders.

Momo and Yudale take turns mounting Bentzi's foreign buxom cousin, but Yudale and her get stuck together. Momo raises the bar even further by proving the rumors of an accepting older buxom piano tutor, Fritzi. Bentzi looks for love.

Anne, a Parisian, visits her friend Yola in Tel Aviv, where Yola lives with her husband Avi and their son. There's tension in the air and the attraction between the two women is palpable. Flash back five years to their meeting, on a train to Jerusalem. Yola invites Anne to stay at her hotel, and over the next five days, their friendship builds from talk about their lives to an explosive menage a trois when Avi joins them on fourth day. Back in the present, can Yola have both Avi and Anne, or are the women futilely chasing rainbows?

Yiddish live theater, a formerly lively theatrical form, is barely sustained by a few aging aficionados and its loyal but aged audience. Laura Adler is a big star of one of these troupes. She is attractive, middle-aged and quite content to spend her days performing obscure theater in her backwater town. One day, however, she learns that she is being considered for a part in a major U.S. film, and, while she is absorbing that news, she has an affair with a young man. Later, when she learns that she has terminal cancer, she decides to spend her remaining days onstage with her theatrical friends and family.