Dominique Daguier

Gérald K. Gérald

A true story of two men who should never have met – a quadriplegic aristocrat who was injured in a paragliding accident and a young man from the projects.

Magistrate Jeanne Charmant-Killman doggedly investigates CEO Michel Humeau, who is accused of participating in massive corporate malfeasance. As her investigation leads her into the upper echelons of government, Jeanne becomes intoxicated by the power she is amassing.

Jean-Marie Bigard plays Clérambard, a ruined squire, his family's slavery slave, cat taster, parish priest eater. Converted after an appearance of Saint Francis of Assisi, he becomes as violent in good as he was in evil. A tailor-made role! He no longer touches animals, even if they are insignificant, he finds purity in girls of joy, pleasure in destitution and he will preach this message on the roads, in a caravan, taking his family on its crusade of love .

Prison guard Reggio lets Moltes have a weekly lottery ticket in exchange for his suave relationship advice. When Moltes learns that he has a winning lottery ticket, he breaks out of jail to claim his money. However, Reggio's girlfriend, Pauline , has the ticket with her in Africa. The action involves the odd couple teaming up to find the ticket while being chased by Det. Youssouf , along with the vengeful Turk and the Giant.

Le Locataire

Lola and Ingrid’s investigation into a missing hairdresser takes them to Indonesia.

Fired for insubordination, PJ Antoine Verlay, good cop but a blood strand and having difficulty working as a team, is attached to the OCBC (Central Office for the fight against Traffic in Cultural Goods) thanks to the intervention of the commander Pardo, his friend who becomes, therefore, his new superior. A clever investigator, but a stranger to everything related to culture, Antoine will have to work with Florence Chassagne, renowned art historian, who lives, speaks and breathes culture, to the point that - fruit of her great imagination - it happens to her in the midst of daydreams, to see and talk to the great artists who have disappeared as if they were familiar to her.