Yavuzer Çetinkaya

Directed by Ömer Kavur.

After receiving a letter from a woman named Asiye asking for help to save her, the President of the Associations Against Prostitution visits the brothel to save Asiye. However, she finds herself in a strange musical show.

In the half-light of dawn, Halil falls down dead, murdered. His wife, Elmas, cries for justice, but, in fact, there will be no investigation. Life goes on for Elmas: during the day she works in the rice paddies with her little boy and, at night, she goes to catch frogs with the other villagers.

In this deeply symbolic and visually lush film, as far as Tashbash is concerned, he's just a malcontent, a fairly ordinary hell-raiser who has gotten into trouble with the law in the past. Sure, he hates the village headman who is a toady to the region's oppressive landlord, and he dislikes the fact that everyone looks to the headman for help because they have no place else to turn, but he's just an ordinary guy and has no solutions for his fellow villagers. However, after one of them has a vision in which Tashbash is shown to be a manifestation of one of their more important local saints, the villagers unite as one in seeking him out for help with the upcoming visit of the landlord to collect rents which they can't pay. Their adulation and reverence is so persistent that eventually even Tashbash becomes a believer.

With good guidance from director Zeki Okten but an uninspired script, this story of a brother and his Turkish family influenced by old and new traditions is somewhat uneven. Bilal (Tarik Akan) is devoted to the art of wrestling, following in the footsteps of his father and grandfather, who were both champions at the sport. Aside from his interest in wrestling for its own sake, Bilal has a chance to win a provincial wrestling contest and thereby bring home a considerable cash award for his efforts -- and so his days are spent in training for the event. Meanwhile, his brother and sister-in-law and their daughter have come back home after living in Germany for 12 years and are finding the adjustment to their cultural roots a bumpy ride. As long scenes of well-oiled and slippery wrestlers in action prepare viewers for Bilal's big event, the struggle of these men is reminiscent of the struggle of Bilal's family to come to grips with a world they may not be able to accept unconditionally.

It is a comedy of stubborn people who initiate a judicial process which would last 7 years because some sheep ate a few cabbages.

Two schizophrenic patients escape from a mental asylum supposing they were mistakenly quarantined. When they arrive at a country village, the villagers assume one is a sheriff and the other is a local magistrate.

Gün Ortasında Karanlık

The Third Eye

A man has been in prison for sixteen years after killing of his wife. Now he seeks to create a new life, where he only finds warmth and fellowship with Turkish immigrants. He will also try to come to terms with the daughter who hates him. Denmark's submission for the Academy Award for Best Foreign Language Film in 1986.

Şaban is a poor man. In Germany, where Şaban went as a worker, tragicomic events happen.

Seyyid

The story of nine independent women from various parts of society who committed various crimes.

Atilla the Hun, Tarkan its power in order to bring the sword to the floor at the pursuit of the enemy's appointed.

Hasmet, director of love stories, wants to make a film which is different than the movies he made before. This movie has a social message. He tries to find a producer but film industry is mainly out of money. When he thinks he finds one, nothing goes as it planned.

Son Darbe

Greek Spies are trying to give bad image about turkey, Metin a young police man who decides to go rogue and achieve justice after the murder of his partner and his family on the hands of Greek spies.

Ortadirek Şaban

Menekşe Koyu

Bir Avuç Cennet

Directed by Zeki Ökten.

It is the story of a nation's resurrection and victory, in which the War of Independence is told.

Some time ago, Robert took some photos of military action which are now endangering his life. He is on the run from those who would find their publication damaging and is headed for Syria, where he believes he will be safe. While in Istanbul, he meets a pop singer, a woman half his age who gives him the erotic charge of his life. He begins taking film of their bedroom encounters and says some pretty excessive things about how marvelous she is to him. Meanwhile, his local friends don't trust or like him enough to help him stay in Istanbul, and it seems that he will have to continue onward in his journey to safety.

Reminiscent of Martin Scorsese's 1985 production, After Hours, this film narrates the events of a night in the chaotic backstreets of Beyoğlu in Istanbul. The day he receives his wage, and after arguing with his wife, Haydar (Tarik Akan) leaves the house in a fury and heads to Beyoğlu for a wild night out. However, a prostitute and her pimp bring him such troubles, and he finds himself penniless and in police custody.