Valeria Correa

Roque starts University in Buenos Aires but he is not particularly interested in attending classes or working towards a degree. Instead, he dedicates his time to one of the many groups vying for control of the university, motivated less by grand political ideals than by a wish to get close to Paula, an attractive young teacher heavily involved in internal university politics.

An enormous effort of narrative complexity made up of six independent, successive stories, connected by the same four actresses living very different experiences in very different universes…

Clara and Alejandro move into a new house. A few days later, he goes on a work trip and she is left alone, surrounded by moving boxes. That chaos makes her accept a series of random invitations that will take her away from the hermetic world she lives in.

While she faces the tough idea of breaking up with her boyfriend, Emilia moves to a downtown apartment. Among boxes and packed stuff, almost by chance, she starts living the life of the former tenant.

Iván's dream is to meet Ricardo Iorio, Chacho's is to succeed as an actor and Rama's is to conquer Lucy. The three are joined by a single passion: metal.

After being in rehab for two years, Cesar now works in a small balloon factory in suburban Buenos Aires. His former father in law will force him to take care of his young estranged son, whose mother died in an accident. But Cesar has plans to give Alfonso up for adoption.

Deep knowledge of a person can be overwhelming. Even in the most trivial situations it is possible to find peaks of tension that appear from the underground. Vidrios intends to explore the universe of interpersonal relationships through a series of scenes of isolated appearance, with anonymous characters that are constantly updated and dialogue with each other until they burst a moment in the absurd.

Una casa lejos

Claudia is a workaholic event planner. When a colleague asks her to plan her wedding, she starts to notice a lot of issues with the ceremony and changes it's location on the last minute, unfolding on a series of unfortunate events.

It’s winter in some city. A young lonely woman walks the night with an obsession: never ceasing to chew gum. This affects her moves and relationships. When she finally accepts to give up on the world she knows, there will be no turning back.

At the request of his daughter, Turbo is reluctantly forced to open his doors for 30 days to his emotionally fragile and eccentric ex-wife, Loba, following a prolonged stay at a mental hospital. As old feelings reemerge, Turbo and Loba find themselves at the center of a perfect storm that could set them on an odyssey of rediscovery… or send them both back to the madhouse.

The death of patriarch Alfredo sends his heirs into a downward spiral. With the pending sale of their beach house, a repository of childhood memories, three siblings’ long-simmering resentments are brought to a full boil.

Manuel Jiménez receives some clandestine wiretappings that he has to transcribe. Because of this, and almost without wanting to, he enters a kaleidoscopic plot that involves a group of people at a party, their later walkabouts around the city at night, and their relationship with the secrets hidden inside Vodka’s diary.

In all the stories that Llinas presents to us here with his narrative flair, well-known from Extraordinary Stories, we see the same four actresses, but each time in different roles: Elisa Carricajo, Valeria Correa, Pilar Gamboa, Laura Paredes – we also see them grow and get older.