Yûji Aoki

Shangri-La follows the lives of a group of homeless people in Japan who run into a man who nearly commits suicide and decide to help him out of his financial troubles. Using their various ingenious resources they embark on a complex scheme to blackmail a crooked businessman, whose bankruptcy claim has put people out of work. It’s a fun romp as these seemingly homeless people manage to outsmart the very people who cast them from society.

A masterpiece of militant cinema of 1968, filmed on the actual barricades of Adachi's very own Nihon University during the period of social struggles. The film begins in a lengthy free-love session taking the form of a 'play' rape being enacted by a group of aimless, listless and political apathetic students. The subtext intended by Adachi informs the rest of the film – that there is a world of difference between direct action politics, and merely talking the talk.

Desensitized and dissatisfied, a young yet jaded sexual veteran sets out on a journey of self-discovery while teetering on the threshold of womanhood. Yasuko is taking part in an orgy when she realizes that she has lost all feeling - not just physically, but emotionally as well. Now, with the weight of responsibility and adult expectation weighing down on her shoulders, Yasuko attempts to better understand how she could be so empty at such a tender age.

For a little extra money a college student agrees to pose as a nude model for a magazine. But she finds out too late that the magazine is a pornographic one. When it gets published it causes problems with her boyfriend who happens to see it. She is persuaded into do a few more sessions and each time the setups becomes more extreme. She begins to lose herself in heat of passion and doesn’t notice the camera is shooting when the action turns into the real thing.

Go, Go, Second Time Virgin is the story of two damned and abused teenagers who meet and fall in mutant love on a Tokyo rooftop. Their only hope is to cement their love with an escape into oblivion.