Osvaldo Valenti

In Florence, at the time of Lorenzo de Medici, known also as Lorenzo the Magnificent, the aristocrat brothers Chiaramantesi rule with an iron fist the streets of the city. Ruthless and fierce, the two brothers have chosen as their special victim the innocent and harmless Giannetto. Even though determined to not react to the cruel pranks of the brothers, Giannetto is forced to take a stand when Ginevra, a beautiful girl that works in the Chiaramantesi household, is dragged into the game. To defend his honor and protect the girl, Giannetto works out a fiendish plot that will end in blood and madness.

Directed by Gennaro Righelli.

Everything unfolds in Naples seventeenth century, when a mysterious masked swordsman who calls Salvador Rossa becomes champion of the needy and lonely struggle against the cruel tyrant that frightens the country.

This film relates the story of Russian Princess Fedora (Louise Ferida), in Czarist times, whose royal lover is assassinated on the eve of their marriage. She pledges vengeance, only to become the victim of her vow when she falls in love again.

This propaganda film was partly inspired by the story of the first Italian heavyweight champion Primo Carnera who, after winning the title with Al Capone’s help in 1933, was beaten the following year by the Jewish Max Bear and then again by the ‘Brown Bomber’ Detroit Joe Lewis in June 1935, on the eve of the Italian invasion of Ethiopia. This match provoked numerous racial skirmishes on the streets of Harlem between the Black community and pro-Fascist Italian-Americans. The film overturns historical facts and here, obviously, it is the white boxer who wins in order to demonstrate the superiority of the “Aryan Italians” over the “sinister Jewish entrepreneurs” and the “savage Afro-American fans in Yankee Stadium”. In the film, these were played by South African prisoners-of-war interred in a work camp, which the German and Italian propaganda ministries had set up near Cinecittà “for cinematic purposes”.

Italian historical drama portraying the story of the sixteenth century Italian noblewoman Beatrice Cenci.

Mille lire al mese

Il fornaretto di Venezia

L'amante segreta

La locandiera

Venice Film Festival 1942

ETTORE FIERAMOSCA was based on a widely-read literary action epic by Massimo D'Azeglio, published in 1833. Translated to the screen in 1938 by the most important director of the Italian fascist period, Alessandro Blasetti, it was intended to boost current patriotic fervor and pride in the Italian nation, and it contributed to a revival of Italian nationalism.

La vedova

Le due orfanelle

Giuliano de' Medici

La danza delle lancette

Sports comedy film inspired by a 5–0 victory by A.S. Roma against their rivals Juventus in 1931.

Nadia, a young Soviet journalist who is passing through Pompeii, discovers the power that comes from the Catholic faith when the painter she loves, Paolo, and who saved her from drowning during the shipwreck of the cruise in which they met, is at the gates of death because of a serious illness whose symptoms are similar to those of leprosy.

The film follows Giovanni, a working-class orphan living in Rome, who realizes that his criminal lifestyle is wrong and becomes a devout fascist.

Venice Film Festival 1940

Fatto di cronaca

Enrico IV

Capitan Fracassa

Trappola d'amore

La valle del diavolo

La signorina dell'autobus

Frenesia

Una lampada alla finestra

Il vetturale del San Gottardo

Creature della notte

La maschera di Cesare Borgia

After committing a murder for his lover, Gloria, the famous painter Jack is forced to go underground. In the harbor district, he saves the poor Malaysian girl Song in front of two intrusive sailors. She loves him for it, and together Song and Jack appear in the tingle dungeon of the port, he as a knife artist, she as a dancer.

An Italian emigrant, who found fame and success in America, comes back to his hometown after over twenty years.

On the plains of Hungary, Franz, a Hussard lieutenant, broods about his future; Born into an aristocratic family, his father drank away the family fortune and marriage seems an unlikely prospect. Impoverished Franz's love for effervescent and upright country girl Marika coincides with the tragic tale of lovelorn violinist Josef, all but ignored by royal beauty Camilla.

In the kingdom of Kindaor, traitor Sedesmondo kills his brother, the King of Kindaor, and becomes the tyrant of kingdom. He abandons the prince Arminio to beasts in the woods, but lions don't kill him and breed him as one of them.