Firouz Behjat-Mohamadi

An old villager deeply in love with his cow goes to the capital for a while. While he's there, the cow dies and now the villagers are afraid of his possible reaction to it when he returns.

Noted Iranian actress Susan Taslimi plays an impoverished single mother who agees to marry off her 13-year-old daughter to a middle-aged man in return for a mare, which will help her earn an income and provide for her younger children. Director Ali Zhekan paints a stark picture of poverty and patriarchy in rural Iran (the mother stores her rice in a container hidden in a tree; her brother, who brokered the wedding, mercilessly beats the recalcitrant child), but this 1986 film is distinguished mostly by Taslimi's increasingly fiery performance as the mother decides to defend her daughter's freedom.

Death surrounds Bahman, a director who hasn't made a film in 24 years (he can't get past the censors). He's working on a documentary, for Japanese TV, on Iranian burial practices. On the anniversary of his wife's death, a hitchhiker tells him a story of spousal abuse and infant mortality, he discovers that someone has been buried in his plot next to his wife, and he needs the help of his attorney, a well-connected fixer. He dreams of death, even as he investigates it for his film. His niece's husband, a well-known writer, fails to return home; he searches hospitals for an unclaimed body. His heart disease is flaring up. Is he prepared for death? Is that all that's left?

During Iran-Iraq war the Iraqi army was attacking the Iranian oil tankers repeatedly. A young captain decides to pass an oil tanker through the enemy lines and deliver it to overseas. He ...