Matthew Martin

In this drag remake of WHAT EVER HAPPENED TO BABY JANE, Baby Jane is a tragic victim manipulated by her melodramatic sister Blanche. Blanche, who staged the accident that crippled her, continues to keep Baby Jane in the dark... always thinking that she was the evil sister who caused it.

While defending her family’s historic plantation from destruction, Charlotte, a reclusive Southern-belle spinster, calls for help from her cousin Melanie, but Melanie's arrival sparks a chain of melodramatic events that send Charlotte into madness.

Paul Roll is a lovable nerd who's achieved everything he's set his mind to, except...he's never been successful at finding a man. After witnessing the marriage of his best friends--6 days before Election Day 2008--he realizes he desperately wants to get married. Forced by the current economy to take on an ultra-conservative (and anti-gay) conglomerate known as The Family as a new client, Paul must now tangle head-to-head with its Disney-like villain, Miss Deborah Anderson. Through a series of comedic mishaps that include a crusty old lounge singer named Miss Piggy B, Paul finally meets the man of his dreams. But is true love meant to be?

SF stripper Champagne White (multi-hyphenate talent D’Arcy Drollinger) is expecting her boyfriend Rod to pop the question; when he instead tells her of a secret plot involving booty bumps and the world’s largest retail store, it’s up to the intrepid ecdysiast to save the day. With a lo-fi ’70s exploitation film aesthetic and a John Waters-esque sense of the absurd and outrageous, Drollinger adapts his wildly successful stage show for the big screen, featuring extraordinary talent from the world of drag, including Alaska 5000 from RuPaul’s Drag Race.

This documentary examines the many aspects of the gay fascination with Bette Davis, featuring film clips of Bette's most iconic moments, juxtaposed with camp burlesques of her by San Francisco actor Matthew Martin and others, including Charles Pierce and Arthur Blake; a profile of Martin highlighting his long identification with Davis; and interviews with fans, entertainers, and gay cultural historians.