Barbara Meter

The dutchified Hungarian Joszef Katús returns, after a months-long absence, to Amsterdam on 29 April 1966. The arrival of the Provos changed a great deal in the Dutch capital. The film follows Katús, mostly roaming the streets, in a loose documentary style. The events are set against the backdrop of four national occasions - The Queen's Birthday, Labour Day, Liberation Day and Remembrance Day.

A man and a woman sit in front of a window and eat breakfast. Through the window, we see the countryside. During the day, they remain seated at the table. The settings, light, and depth of field change: slowly we learn the vocabulary of the medium. In the final shots, the camera is reflected in the windows, and we see lights being cleared away. The film itself, and not the man and woman at the table, has become the subject of the film.

a man with a moped and groups of boys (one in particular) are in conflict, which sometimes turns into erotic play.

Home movies shot on Super 8mm by W+B Hein over 10 years.