Johanna Rosaly

Santiago, a retired accountant, casually meets Angelina during one of his daily walks in Old San Juan. They soon become friends, even though she refuses to give out any personal information.

In the night of her fifty-four wedding anniversary, Rafaela finds out that Angel, her husband, has recently visit his ex-lover. This incident awakes old emotions, but at the same time brings a big surprise.

A man is convinced his pregnant wife is a witch and that she is carrying an abomination in her womb.

Facing financial ruin, four siblings decide to sell the valuables within their mother's house, without telling her and by embellishing their history.

Three stories ("Lo mismo de otra manera", "Félix", and "Te tengo una sorpresa") that delve deeply into issues such as human solidarity, infidelity, and social conflicts in contemporary Puerto Rico.

The love of two young people is prevented by the envy and resentment of a greedy man and his evil son.

Angélica has spent her whole life escaping from her mixed racial identity, but a family crisis forces her to return to Puerto Rico and rethink her life.

Selva is a prominent television host and her husband is a successful producer. Together they will embark on the adventure of producing a film, which will mirror their own passions.

Documentary that celebrates 100 years of cinema in Latin America and talks about the origins and the development of cinema in this subcontinent. Its structure is based in 12 short films directed by various Latin American directors. These are: 1) "Los inicios", Iván Trujillo 2) "Cuando comenzamos a hablar", María Novaro 3) "Jugando en serio", Jacobo Morales 4) "De cuerpo presente [Las espirales perpetuas del placer y el poder] Cine Mexicano [1931- 1997]", Marcela Fernández Violante 5) "Cuando quisimos ser adultos", Edmundo Aray and David Rodríguez 6) "Cinema Novo", Orlando Senna 7) "Memorias de una isla, Juan Carlos Tabío 8) "Un grito, 24 cuadros por segundo", Julio García-Espinosa 9) "El día de la independencia", Federico García 10) "¿Sólo las formas permanecen?", Fernando Birri and Pablo Rodríguez Gauregui 11) "Todo final es un principio", Andrés Marriquín.

A man shares his apartment with his elderly mother. He puts a Doris Day record, "Que sera, sera", and his life walks by in a flash.

Con los pies descalzos

Presents three barrio stories: "La familia del Camello" about a public residential basketball coach and his dilemmas, "El baila'o de Julia y Berto" about two neighbors trying to rediscover love in their maturity, and "El rumbón de Fepe" about a man who has to choose between his barrio and the woman he loves.

A group of filmmakers analyze the situation of their country's cinema while some children record them.