John Greyson

Masculinity/Femininity is an experimental film project interrogating normative notions of gender, sexuality and performance. Shot primarily on Super 8, the project merges academic and creative critique -- a document of gender de-construction rather than a documentary about gender construction.

Two main characters, a young gay man, and his female (heterosexual) boss exchange stories about their personal problems, (his difficulties about being gay, and his fears about losing his job because of it). She talks of her neglectful husband whom she suspects is having an affair with another woman.

No Voice Over is a story of communication and affection, focusing on the close ties between three women artists as they correspond via audio and video tape as they travel to Italy, Brazil, and Texas. All three have an off screen working relationship with a producer called Dix-Ten. The tape details a series of visions or second-sight experiences that one woman has about the other. These events are disturbing and seem to contain some ominous portent, which remains unclear until the end of the tape, when it is revealed that the visions are in fact premonitions of one of the woman's death.

A 60 minute tape that tells in flash-form the story of a European critic and her relationship to three people; her lesbian lover who died of cancer, a Canadian / director in theatre, and a young performance artist who adopts her persona in a performance. The issue deals with sexual roles, love relationships and women's views of themselves in social/sexual relationships with women and men.

The two central characters are breaking up. Moira flees to Paris; Stan goes up north with gay writer friend, Timothy. Moira returns and joins Stan and Timothy up north to sort things out. Roberta, Stan's old friend also arrives. The next 24 hours reveal the assortment of tensions, expectations, humour and discontents of four people experiencing the difficult transition to middle age. The four characters return to Toronto to resume their separate lives.

A poem about sex work in the age of COVID to the music of Handel. Let me weep over my cruel fate, and let me sigh for liberty.

Expose into how the news story of a kiddie porn bust was fabricated / sensationalized / distorted by police officials, journalists and social workers to create the specter of a "province-wide child pornography ring"

This intimate documentary unpacks Michael V. Smith's journey as a self-described sissy with a body he found humiliating as he developed his art to become a radical drag performer and genderqueer artist. A unique blend of DIY documentary, road trip, performance art, and videopoem, this amusing self-portrait sources Smith's provocative art practice to examine a lifetime of untrue stories about his body. One featured project includes Smith on a road trip on British Columbia's Sunshine Coast, searching for famed Canadian singer Joni Mitchell, while dressed as Peanut the Clown.

Luc Bourdon, Marc Paradis and Simon B. Robert are curators for a selection of Canadian video to be presented within the context of the 13th Montréal International Festival of New Cinema and Video. This tape relates their experiences and research which occurs during their journey across Canada. This document is less a documentation of the trip than a logical suite to the questions raised in a previous work, Scheme vidéo. Focusing on the displacement of the three curators, the tape reflects their perceptions through the random capture of images. With Paul Wong, Grant Poier, Nida Home Doherty, Jerry Kissel, John Greyson and Collin Campbell.