Evandro Scorsin

Camila broke up with her boyfriend recently. She's been going out and spending time with her girlfriends and her dog.

Toni is about to move. He decides to spend his last day in town drinking with his friends.

Suzana's Party

Bruna makes out with Andre before his trip to the beach. After that, she spends the rest of the day with her best friend Jota.

With a broken heart thanks to the end of a relashionship, Giba wanders around. All of a sudden he meets his friend Conrado, who introduces him Bia.

Um Verão em Vênus

O Mito do Delírio ou o sonho de um homem ridículo

Twenty-year-old Giovanni is a fan of Santos FC and works in a video rental store. He talks to him work friend about life and girls and is always looking for his soulmate. One day he believes that he may have just known her.

For years, together with his partners from the production company O Quadro, he has been betting on cinema as a tool to explore the typical issues of youth. In this film, Evandro Scorsin turns the cameras on himself as he deals with the dilemmas of the passing of time and the imposition of adulthood. In an exercise in autofiction where cinema and life merge, the film is also a cinematic love letter to the beloved masters (especially Nicholas Ray). Coming and going between two countries and times, it records the vertigo of displacement and the reinventions inherent to an immigrant experience.

Dias Atrás

Being sixteen it´s easy. Being sixteen and have to go to school every day, it´s not. It’s even harder being sixteen and have to go to school and fall in love with Fernando, the boy from the other class. It’s easy to be Jaqueline. But it sucks being Jaqueline and know Fernando doesn’t care at all.