Ryo Iwase

Reality and fantasy melds as a Korean documentary film director attempts to capture life in the small town of Gojo, Japan.

Eun-hee is an actress who also plays in her real life. One day, she meets three different men and changes her own character each time she dates them, just like taking a role in the play. One is clever and polite, another is boyish and honest, and the last seems elegant and mature. Though each of her performances full of lies seems going smoothly, everything is about to be messed up at the end.

Fired from his part-time job in a restaurant kitchen for absenteeism, rookie boxer Tamura has a lot to be angry and frustrated about in his life. But things start to change when he’s approached at the gym by the artist Hattori, who wants to use him as the new model for the manga character Yellow Kid. Yellow Kid first appeared in an American comic in the late 19th century, and Hattori revived him as an older character a century later.

High school student Yuki Hase wants to become close with classmate Kaori Fujimiya who is alway by herself. Kaori Fujimiya refuses to become close with Yuki Hase, because she forgets her friends every new Monday. Even though Kaori tells Yuki why she doesn't want to become friends, Yuki still wants to become close to her.

A pair of astronauts is trapped on an orbital space station due to unexpected nuclear war on Earth. They lost contact with Earth, and all attempts to communicate with their base or anybody else have failed.

Yuri, Moeko, and Ai are best friends from high school. Though their twenties were about to end, they believed their eternal world would remain forever. In spite of their will, some misfortunate events such as love, betrayal, memory, regret, and one book with its secret exam their friendship. Those girls get lost in the unveiled story, which is filled with meeting and parting. Scattered life = scattered story will move on any further? A little journey begins now.

An omnibus film consisting of 4 short films and a documentary related to COVID-19.

Sisterhood portrays a current reality in Japan, showing the vision and lives of different people, such as a nude model, a music artist, a student and other diverse individuals who give their opinions in front of the camera.

Ayami Kawaguchi is a 17-year-old high school student. Her family runs a tofu shop where the tofu is made with local spring water. She is a member of her high school's kyudo club, but she doesn't do well there. One day, Ayami delivers tofu to a local sake brewery. There, she finds the owner of the sake brewery, Shozo Sugita, collapsed and he is sent to hospital. Afterwards, Ayami Kawaguchi gets involved in a dispute over the water source succession.

Yusuke Kafuku, a stage actor and director, still unable, after two years, to cope with the loss of his beloved wife, accepts to direct Uncle Vanya at a theater festival in Hiroshima. There he meets Misaki, an introverted young woman, appointed to drive his car. In between rides, secrets from the past and heartfelt confessions will be unveiled.

Korean photographer Baehwan and gay japanese hotel employee Ryu work together on a series of photographs. Their relationship crosses uneasily between friendship and love, while they also battle their own internal scars. Their salvation comes by their photographs which helps them find the meaning of their lives.

Taira is a disaffected youth from a seaside town reveling in violence. Enamored by his strength, Yuya joins his crusade in attacking strangers. Meanwhile, Taira's brother looks for him.

Director Yoshiyuki Kishi and screenwriter Takehito Minato—the team behind acclaimed boxing epic Wilderness—reunite to adapt Ryo Asai's prize-winning novel. A sensitive drama about the aberrant in a society without regard for diversity, the story unites characters trying to hide abnormalities: a prosecutor who is worried that his pubescent son is a shut-in, an introverted saleswoman with a peculiar habit, and a student tortured by feelings she can’t express. In a world fill with abnormalities, what if it’s actually normal to be abnormal?

Kohei Kuryu is a former juvenile delinquent who drops out of junior high and goes on to earn a high school equivalency diploma. After passing the law board exams, Kuryu becomes a prosecutor. Not your typical prosecutor, which is quickly seen through the clothes that he wears, Kuryu possesses quick instincts and a kind of cleverness that only someone raised on the streets could have. Maiko Amamiya is a shrewd public prosecutor who has her eyes set on passing the exam to become a deputy prosecutor and tries her best to be noticed by her boss. Kuryu, on the other hand, after earning a reputation for doing top-notch work, is transferred to Amamiya's division, and finally opens his eyes to the possibility of promotion. Unfortunately, his unprecedented work behavior abruptly brings things to a halt. Although earning a reputation as a bad apple, the influence from Kuryu's strong pursuit of justice slowly begins to change things around him.

Two people, sake and gourmet. Yoshioka (Asaka), who is stressed by work, reunites with Keiko (Nakamura), a longed-for senior, because of his work in the “U-shaped bar” with a U-shaped counter.

Kaoru Mitazono (Masahiro Matsuoka) is a talented housekeeper with an usual secret. Kaoru is actually a guy! Besides cooking, cleaning and babysitting Kaoru Mitazono has the unusual habit of discovering secrets held within the family of her employers.

渦が森団地の眠れない子たち

Ryōsuke Sagara is an ordinary salaryman and he works for a mid-size shipping company. He is a good-natured person. His family consists of his wife Maho, high school student daughter and elementary school student son. Maho works part-time at a supermarket. They are a happy family, but Maho and their two children suddenly disappear. There are no clues about their disappearance. Ryōsuke gets the attention of the media and public. He tries to find the truth behind his family's disappearance with the help of his subordinate Mizuho Ninomiya at work.

Kim Jun Hee, a member of the immensely popular five-membered band, Indigo AREA, has suffered setbacks and deep wounds, and now her boyfriend, the vocalist, suddenly announces that he is leaving the band. The story depicts the process of Jun Hee escaping from her narrow world of values, regaining her music, and becoming a strong "human being," while also finding the connections that are essential to survive. A new slice-of-life story of healing and courage.

Rakugo has the image of a humorous story, but it is also a treasure trove of “scary stories”. Among them, this work boldly arranges a performance in which "human fear" stands out, and does it in an omnibus format. There are four rakugo plays that will be drawn as a drama this time: "Kokoro", "Tatsumi's Tsuji Zou", "Konya Takao", and "Miyatogawa (upper / lower)".

Hiro's so stressed out at work that he can barely have proper meals or get some well-earned sleep. When he passes out on the sidewalk after yet another stressful day, an unfamiliar face calls out to him - apparently, they once promised to marry each other? What's Kai Fukaya's deal, and why is he so insistent on assuming the role of Hiro's fiancé?