Jessie Yang

Unemployed and broke, Owen is having a terrible week. It's not until he saves a wealthy Japanese businessman from a couple of thugs that Owen's luck begins to change. He's promised an easy job with very good pay. $500 a night. 5 nights a week. All Owen has to do is wear a uniform, sit in a chair and make sure that an ominous door is never opened. Following an unexpected late night visit, Owen soon finds himself stepping into the darkness, unsure if he will survive the night or escape the fate that waits for him behind The Door.

In Ramin Fahrenheit’s grindhouse psychodrama, a young woman (Fatima Maziani) released from a mental hospital is drawn to a drug dealer she sees at the cinema they both frequent. These two outsiders come together; both of them are eager to escape their troubled pasts. One fateful evening, however, they plan to rob a married couple, but, when things get bloodier than expected, it is revealed that the woman has a compulsion to kill. Plagued by visions and voices, the titular killer queen attempts in vain to suppress her urges, and the victims continue to pile up