Evald Aavik

A mid-level manager who develops an aversion to being a good person questions his morality as he faces the challenges of middle age and loses control of his life.

A quiet Tarkovskian drama about an old man who lives alone on a deserted island which the Soviet fighter planes use for nighttime target practicing. A young mute boy is sent from the mainland to keep him company. Both are haunted by memories, the boy about his mother and the old man about his younger days as a missionary in Africa.

Autumn 1944, Estonia. Tens of thousands of people leave their homeland in fear of approaching frontline. Some seashore villages remain completely empty. A young woman with huge grey eyes gets off the boat. Eetla leaves the last boat, thus giving up her last chance to escape. Defying the cold wind and rain of September, she returns to the lighthouse which is unexpected to her father Gottfrid, the lighthouse keeper, and herself. Eetla's return becomes her self-encounter and self-recognition.

Aleksander, an old gentleman, maintains a blooming garden surrounding his old house in a sleepy resort town. Karl, his grandson, spends the summer with him and learns about the ways of the nature. Together with autumn rains arrives Aleksander’s daughter Marju, who hopes to inherit the old man’s house, tear it down and put up a guesthouse on the lot instead.

The Christmas of 1905 in Vigala is not a peaceful holiday. The manor house has just been pillaged during the peasant's revolt; the air is full of smoke of fire and there is the premonition of inevitable punishment. Bernhard Laipmann is a tenant farmer whose wife is asking him to leave home since her husband keeps drawing the attention of the authorities. Having doubts about leaving, Laipmann is inspired by endeavouring towards freedom and equality and alarmed by the violence of the revolution.

Toomas Stockmann, the head doctor of a water clinic built in a small town by the sea, discovers that the facility is threatened by an infection caused by construction errors in the waterworks. The powerful mayor Peter Stockmann, the doctor's brother, has used his position and connections for commercial and political gain and has ignored the doctor's warnings. The upper class of the town initially supports the doctor's decision to reveal the truth, but the mayor changes due to pressure and personal interests. Dr. Stockmann is labeled an enemy of the people. He must choose whether to stick to his ideas, at the risk of his family, or surrender to demagoguery.

Teacher of Reigi

Set in the post-war years when sovietization was still being resisted by partisans, often at the expense of a farming population intent on rebuilding.

Ainus pühapäev

The movie travels through the 20th century by monitoring a steam boiler. We see the history of Estonia through life, agricultural work and people at different times.

The film consists of three chapters. The Manslayer takes place more than a hundred years ago. The leading character Maara is a young bride who is about to start her life in her new family. The Virgin, set in the spring of 1949, tells the story of a young woman called Elina, who has been deported from Ingria into Estonia during the previous war. The Shadow moves in the present, on the border of real life and fantasy. The main character, Luna Lee, has decided to flee from home. Is there anything besides emptiness somewhere? The film is led by the singularity of the leading character - Maara, Elina and Luna Lee are all played by the same actress.

The film ridicules stereotyped thinking through an absurdist lens.

Tallinn, Estonia, days before outbreak of World War II. Hotel detective and Polish writer team up to find Tear of the Prince of Darkness, a legendary ring which can bring Satan’s rule over the world.

A sensitive girl struggles with first love and bullying in a 1980's Soviet orphanage.

The story of the war film is about paths of the Estonian Shooting Corps (formed by the Red Army) during the WW-2 and how the fight forms an usual man to a loyal soldier. Ideologic aspects of the movie are more hidden than in ordinary Soviet war films but they're still existing.