Asaka Nakamura

A school girl visits a house to take a koto lesson. She meets her teacher and her son and they seem to be playing "HIDE and SEEK" in the house. Koto lesson starts but the girl soon realizes that there's something very odd about the teacher.

Nursing student Asuka has just moved into an apartment complex with her parents and younger brother. On the first night in her new room, she is awoken by a strange scratching sound coming from the apartment of her neighbor, a reclusive old man who has refused all attempts at communication. Concerned over his well being, Asuka enters his home only to find him dead from malnutrition. Worse, it looks as if he had been trying to claw his way into her room. Asuka learns that there have been a number of strange deaths in the complex over the years from Shinobu, the handyman cleaning up the old man’s apartment. Even the girls at school whisper rumors of it being haunted.

After a group of girls get murdered, they come back as ghosts and seek revenge.

Yoshie is a member of the theatre club in high school. Due to her older sister Keiko, Yoshie begins acting in a indie film with her friend Akari and theatre club president Aki. Their sadistic director Naomi (Asaka Nakamura) pushes them psychologically and their relationship begins to change.

In a corner of Tokyo, a man named Natsuo lives as a yakuza and a woman named Natsuki works part-time. Although they rarely think about their families, they attempt to reunite with them. Brother and sister, father and daughter; the distance between them begins to shrink, but... This film portrays the dynamics of people trying to co-exist in nature and in the city. Even though two individuals may be insignificant in the context of a large society, one life meets another and they move forward. This is a movie about their small footsteps.

In this offbeat coming-of-age tale, a charming, rebellious high school dropout named Kanta befriends the kind, provincial Shoji. The two bring out the best in each other, each gaining confidence from their friendship - especially regarding pursuit of the opposite sex. The working class Kanta becomes a sort of unruly anti-hero, maintaining his pride, defiance, and self-assurance even as his prospects seem increasingly grim.

Three Houses That Don't Sink